Categories

Container queries are always a popular topic when discussing the future of responsive design. But do we actually need them any more?

Justin Avery, who curates Responsive Design Weekly, asked me to revisit the four questions I answered as part of an interview series in 2013. Here are my answers.

Three years after the Web Aesthetic, comes my second article for A List Apart. Intended to inform a broader discussion about the principles that underline our work, I thought I would share some background as to how this article came about.

Responsive web design changed everything about how we think and work on the web. Five years on, we’re still exploring the best ways to approach our practice. If we want a web that is truly universal, we must consider our users, our medium, and our teams in new, adaptable ways. Looking at where we’ve come from and where we’re going, I propose a philosophical framework for our work on the responsive web.

Answers to questions about responsive design put to me by readers of net Magazine.

Last Friday I attended Responsive Day Out 2. While the format was the same as last year, the tenor was a little different. Gone were the theoretical presentations, instead speakers focused on the work; getting into the nitty-gritty.

An Event Apart, The Next Web and The Guardian are this month’s responsive recommendations.

Skinny Ties, Microsoft and Anna Debenham feature in this month’s responsive recommendations.

Earlier today, 24 Ways published an article in which I outlined five reasons why I believe two current proposed markup patterns for responsive images are largely redundant. Here I provide some follow-up, and hopefully clarification around the points I raised.

I engage with the two main approaches to the matter of responsive images and finds them wanting. Could “Bah, humbug!” be a reasonable response to markup excess?

Justin Avery, who curates the Responsive Design Weekly newsletter, asked me four questions as part of his December Interview Series. Here are my answers.

Quartz, Nominet and SB Nation are this month’s responsive recommendations.

After attending Build in Belfast last month, Chris Armstrong gave Ethan Marcotte, Chris Shifflet and myself a tour of the Causeway Coast which, as the name suggests, is home to the famed Giant’s Causeway.

XOXO, Design Intellection and The Cut are this month’s responsive recommendations.

Microsoft’s Build conference site, Supereight Studios and Palantir are this month’s responsive recommendations.

At the beginning of this year I was struck by a realisation, prompted in part by the discussions around responsive images but also the artistic ingenuity of the image optimisation techniques being used by Jeremy. How might the visual aesthetic of the web change if we were to acknowledge its nature and embrace its constraints?

When every device begs to be connected, it has become easier – almost necessary – to accept the adaptable nature of the web. Responsive web design is an emerging best practice, and our layouts are becoming more flexible. But often, innovation is focused on technical implementations while the visual aesthetic remains ignored. To put it another way, we’re embracing “responsive” but neglecting the second part: “design.” Now is the time to seek out an aesthetic that is truer to the medium.

Responsive recommendations from the city of Wichita, Jessica Hische and Momentum.

Fresh responsive thinking from O Music Awards, BBC TV and Passenger Focus.

Contents, SVT Nyheter and Readlists flex their responsive muscles.

The cream of responsive design comes courtesy of Weightshift, SALT and BBC News Mobile.

Catch up on the best of responsive with Kiwibank, dConstruct 2012 and ZURB.

Kiwibank say they’re willing to stand up for something new “and even a bit crazy”. In the world of banking, a responsive website is just that.

Since returning from San Francisco, much of my spare time has been spent writing a tutorial for .net magazine. Published as part of their Responsive Week, this is for developers who want to learn about responsive web design but don’t know where to start.