Journal

Two Years Hence

For the last few years I’ve employed a little life hack: signing up my future self to things I would ordinarily avoid.

Apple: It’s Not You, It’s Me

I tuned in for just a few seconds, but had to turn it off. That’s not enough time to make a reasoned judgement about the content of Apple’s latest keynote of course, but I just couldn’t continue watching.

UpFront Conference

Earlier this month I attended UpFront Conference, an event organised by Dan Donald and other members of Manchester’s digital community.

100 Days

I’ve returned to 68 Middle Street just in time for the start of 100 days, a collaborative project where the aim is to complete a creative process every day for one hundred days.

The Billionaire’s Typewriter

Matthew Butterick’s scrutiny of Medium reveals it to be “a form of hu­man frack­ing”:

In “Death to Type­writ­ers,” Medium in­sists that the type­writer is its “sworn enemy.” In cer­tain ty­po­graphic de­tails, maybe so. But as a de­vice that im­poses ho­mo­ge­neous de­sign, Medium still has a lot in com­mon with the typewriter.

In fact, its ethics are ac­tu­ally worse than the tra­di­tional type­writer. Why? Be­cause Medium’s ho­mo­ge­neous de­sign has noth­ing to do with lim­i­ta­tions of the un­der­ly­ing tech­nol­ogy (in this case, the web)… it’s a de­lib­er­ate choice that lets Medium ex­tract value from the tal­ent and la­bor of others.

Convenience always has a cost.

Briefly Berlin

Briefly Berlin

Before going freelance, I decided to take some time off during February. Part of this included spending a few days in Berlin.

Creative Direction

For the last year I’ve been working at the Guardian under the leadership of a creative director. I’ve never worked with a creative director before – at least not in the traditional sense – and have found this to be a fascinating yet also frustrating experience; for the first time in my career I’ve not the been the arbiter of good taste.

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