Three years after the Web Aesthetic, comes my second article for A List Apart. Intended to inform a broader discussion about the principles that underline our work, I thought I would share some background as to how this article came about.
Reflecting on Hossein Derakhshan’s recent article about how the web has changed since he was incarcerated in an Iranian jail six years ago, Cole Henley draws comparisons with the work of Fernand Braudel:
Despite the seeming irrelevance of a mid-twentieth century scholar’s study on late medieval Europe, I have lately started to see a lot of parallels with Braudel’s views on the study of history; the evolution of the web and this evolution as part of a broader history of publication.
While the rise of blogging in the early 2000s can be seen as enabling true democratisation of publishing, the emergence of social media – within whose walled gardens content is curtailed and controlled – has begun to undermine it. Yet Cole suggests there is another problem with these new communication platforms:
Micro-blogging emphasises short-form over long-form, rapid fire over deliberated. Which brings about the ultimate problem of this ephemeral rhythm of publication: accountability. With everything moving so fast there becomes less and less time to digest and respond. Communication has become of the moment, robbing us of time to collect our thoughts and weigh up our responses.
Taking on board Cole’s advice to
comment deliberately and thoughtfully within spaces we own, it seems only right that I should share a few thoughts about his piece here, not least because a few related ideas came to mind, such as Stewart Brand’s shearing layers as described in his book How Buildings Learn.
It also reminded me of Jack Cheng’s essay which shares the same title, but instead describes the ideas behind the Slow Web Movement. This is a set of ideas that value timeliness over real-time, prioritise reliable rhythms over unpredictable randomness, and encourage moderation over excess. That this asks companies to build websites for effectiveness rather than outright growth, is probably why there are still so few examples. Page views and advertising impressions currently dictate business models on the web, but their days seem numbered. It’s encouraging to know that alternative ideas are, perhaps appropriately, simmering away in the background, waiting for their moment to come.
On a more personal level, I have long tried to curtail this overflow of information. I use few social networks (mainly due to their impropriety) and limit most of my activity to Twitter. I aim to keep the number of people I follow below 75 (Dunbar divided by two), and follow a stream composed mainly of friends and former colleagues. I find it surprising (and somewhat annoying) that given this number, ‘hot drama’ still manages to surface. The more I read about our growing reliance on social media, the more I’m given to thinking, that like most things, it’s best enjoyed in moderation.
…let us write more enduring things. Let us appreciate the history of our situation; and rather than dismissing fading technologies seeing these in terms of how they have contributed to our present.
I’m certainly trying to achieve this in my own writing, and I’m very glad Cole appears to be doing the same.
Though memories of my time at university grow ever murkier, one incident still stands out.
Having undergone a £272m conversion programme, London’s Olympic Stadium is ready to host Premier League football as well as world-class athletics. Its future now secured, what hopes remain for its legacy?
Jonas Söderström on how Google’s ‘People Analytics group’ goes to extreme lengths to work out how to improve workplace happiness, something Europeans figured out decades ago:
In my view, the dream of “Big Data in the Workplace” thrives in that hole in the American corporate mind where more human ideas – such as decent trade unions, a commitment to conversation and dialogue between employees and management, and empowerment of employees, even giving them some say over how their workplace is designed – should rightly be found.
Give technologists a problem, and they’ll try and solve it with technology.
In what has become a familiar pattern, having decided to embark on a redesign last February, I then spent the following 18 months iterating and iterating. Now, after many missed deadlines, I have finally launched my new site.
Cennydd has written a short piece for the Design Council about ethics within the realm of digital technology:
Disruption is Silicon Valley’s current watchword. Startups are optimised for shaking up vulnerable industries rather than assessing the resulting social, legal and ethical impact. Progress itself is the yardstick; whether that progress is in a worthwhile direction is sometimes secondary.
Beyond advocating that designers should have a central role in empowering and protecting users, Cenyydd suggests that we should also push for increased diversity within our product teams as well:
As ambassadors for global userbases, designers know well the range of mentalities and approaches people bring to technology. Homogenous teams are too easily swept up in camaraderie, seeing only exciting gains for people like them, yet blind to potential harm for people not like them. The broad perspective of diverse teams offers better insight on tough choices: early warning of ethical issues that may disadvantage particular groups.
I couldn’t agree more. Go read, it’s a good one.
I’m attending my second Indie Web Camp this weekend, with the sole aim of implementing webmentions. This has meant prematurely launching my new Jekyll-based website. That this has been in development since last February, many would say this moment is long overdue.
Lanyards – the piece of fabric that allows you to hang a conference badge from your neck – have a lifespan of just a few hours. How can we change that?
For those looking for a quick and succinct introduction to Sass, the popular CSS pre-processor, my friend Cole Henley has written a pocket guide:
Sass is a tool that takes a lot of the legwork out of writing good CSS. This pocket guide will provide an overview of how Sass can dramatically improve your workflow and make your CSS more flexible, robust and reusable.
This guide only takes 30 to 45 minutes to read, but on turning the last page you’ll be up to speed with all the features of Sass, know why you may want to use them and be thinking about building upon these features to take your Sass usage to the next level – careful now! The book is available now from Five Simple Steps for just £3.
Some thoughts after spending a few days in the Netherlands second city.
The work of celebrated illustrator and artist William Kentridge is showcased at the EYE Film Institute in Amsterdam.