Following on from last July’s extensive redesign of this site, the last few weeks have seen me revisit the design and implementation. In light of today’s Responsive Summit, and with a few people asking about the changes, I thought I should provide a little more detail.
I was never truly happy with the design I launched with last year. While it received high acclaim, the dark blue and grey colour scheme made the site feel dull. As someone who appreciates clean, modern and unfussy design, leading with a serif was also a strange choice.
I’d originally intended to use Bliss for headings and Skolar for body copy, but switched these around at the last minute. I’ve decided to revert back to that sans/serif application, but since becoming enamoured with Akagi and Magento typefaces from Positype, I’ve opted to use that font pairing instead.
One of the biggest changes to the design is around the header. As I wrote previously, the old design had a large footer that contained links to the About and Archive sections as well as a site search, social links and copyright information. This meant I could hide the two duplicated links in the header when they no longer fit.
Yet much of this footer was superfluous. Linearised at narrower sizes, it became taller, gained unintended prominence and increased the length of every page. The site search was difficult to access, and it seemed pointless duplicating the About and Archive links. I realised the footer needn’t be more than a one line copyright statement, and a handful of social media links.
Without those duplicated links, I could no longer get away with my lazy
Some have asked why I decided to prioritise the search functionality on narrower layouts. I’d like to say this was based on research or a deep understanding of how readers navigate the site, but the reason is much simpler; I could either choose to show nothing, or show search. This does mean navigation links are two taps away, but that would’ve been the case with other layouts too. It’s a decision I’ll probably revisit, but I’m happy with this approach for now.
As a side note, the icon I’m using to denote the hidden navigation menu is becoming something of an emerging design pattern; one aspect of a web aesthetic I’d like to explore in more detail.
The introduction of the iPad was instrumental in making adaptive web layouts more attractive to designers — before it was easy to think in terms of separate fixed mobile and desktop layouts, but this third type of device confirmed that designing for web required a universal approach. If the iPad 3 has the retina display everyone is anticipating, I predict we’ll see another surge towards responsive design, but with thoughts centred on display density rather than size.
As a pre-emptive strike, and following this useful tutorial by David Bushell, I’m now using SVG image sprites in my CSS. Unfortunately, browsers that support SVG still need to download both vector and rasterised versions and I’m not sure there’s a way to avoid this.
I also ran into a few problems with Firefox’s implementation of the background-size property. In order to get around another of its bugs, I originally saved the SVG with a large canvas size, and scaled it down. This brought the browser to a crawl, and in some cases it could crash! So right now, Firefox users may see sprites rendered with some fuzziness when scaled up; hopefully a fix is in the works.
I’ve also removed the responsive images script I was experimenting with, a fork by Andy Hume that built upon the work of Scott Jehl. Rather than loading images based on screen resolution, Andy’s script aimed to be more contextual, looking to see what size the final image needed to be rendered at before loading an appropriate version.
However, this script was extremely fragile. Sometimes both images would load, and no images would appear on pages requested with HTML5 History pushState. There were workflow considerations as well; creating two different sizes for each image soon became tedious.
As I looked to make the design resolution independent, I noticed that loading lower resolution images on my iPhone 4S meant I wasn’t taking advantage of its retina display. Not only was screen size an unreliable means of determining what images to load, but so was Andy’s method. Ideally, images would load based on a combination of measures, the most important being the speed of the network.
The challenge of serving responsive images reliably has been described in great detail by Mat Marquis in his recent article for A List Apart. Jeremy has also written extensively about this subject, and his latest post discusses an interesting approach Josh has been using. For now, I’ve reverted back to always loading full-size images, but to lessen the blow I’m serving them via Amazon S3.
In the portfolio, I’m using compressed JPEGs instead of lossless PNGs. This isn’t dissimilar to what Jeremy has done on the dConstruct archive. Rather than use responsive images, he spent time blurring out backgrounds and playing with compression settings to achieve reasonable sized images with the smallest possible file size. There’s much discussion about a new
<picture> markup pattern, but in the short-term this approach seems the most sensible. I do wonder if support for file formats like JPEG 2000 shouldn’t be part of an overall solution as well though.
- Google Page Speed: 94/100
- Yahoo YSlow: 96/100 (with “Small Site or Blog” ruleset)
- webpagetest.org: Results
Hopefully, this will impact performance on mobile devices just as much as any responsive image technique.
Iteration, iteration, iteration
There are a number of other changes too. From tiny tweaks like showing short URLs, to adjusting the homepage so that featured entries are more apparent. I’ve also updated my portfolio, with most projects including a slideshow of work. I’ve also added case studies for The Week and dConstruct 2011.
Although I’ve got the site into a much healthier state, I’m sure further changes will follow. One of the great aspects of the web is that you can improve and iterate upon the experience you’re providing. I’ll continue to do that here.