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	<title>Paul Robert Lloyd</title>
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	<id>tag:paulrobertlloyd.com,2008-09-21://1</id>
	<updated>2010-09-02T10:55:43Z</updated>
	<subtitle>Paul Robert Lloyd is a Graphic Designer working with emerging technology start-ups, and delivering beautiful visual interface design, information architecture, HTML and CSS.</subtitle>
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		<entry>
			<title>A Greener Conference Badge for dConstruct</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F08%2Fdconstruct_conference_badge&amp;seed_title=A+Greener+Conference+Badge+for+dConstruct"/>
			<id>tag:paulrobertlloyd.com,2010://1.255</id>

			<published>2010-08-31T22:58:46Z</published>
			<updated>2010-09-02T10:55:43Z</updated>

			<summary>dConstruct has long combined its conference programme with the name badge, a simple yet cost-effective design. This year we hope to go one better.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Environment" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="clearleft" label="clearleft" scheme="http://www.sixapart.com/ns/types#tag"/><category term="conferences" label="conferences" scheme="http://www.sixapart.com/ns/types#tag"/><category term="dconstruct" label="dConstruct" scheme="http://www.sixapart.com/ns/types#tag"/>
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				dConstruct has long combined its conference programme with the name badge, a simple yet cost-effective design. This year we hope to go one better.
				<![CDATA[<div class="figure">
    <div class="sidenote">
        <p class="caption">This years dConstruct conference badge.</p>
        <p class="caption">Photo by <a href="http://www.flickr.com/photos/b0xman/4929704982/">James Box</a></p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/08/dconstructbadge.png" alt="This years dConstruct conference badge"/>
</div>

<p><a href="http://paulrobertlloyd.com/2009/03/nothing_green_about_sxsw">Conferences can be quite wasteful affairs</a>. In addition to swag bags filled with magazines, leaflets and free gifts, there is often a programme detailing the schedule and providing some background on the speakers.</p>

<p>It's in this environment that I've long admired <a href="http://clearleft.com">Clearleft</a>'s approach at <a href="http://dconstruct.org">dConstruct</a>. Not only have swag bags been banished, but the programmes have been combined with name badges, and placed in clear plastic wallets so they could be attached to a lanyard.</p>

<p>However, I often wondered if the plastic wallet was needed at all. Not only is plastic difficult to recycle (or at least know if it can be recycled), but using it to hold the programme necessitates removing it every time you wish to read it.</p>

<p>Earlier this year <a href="http://graphpaper.com">Christopher Fahey</a> crystallised these thoughts in his post '<a href="http://www.graphpaper.com/2010/06-11_a-book-on-a-hook">A Book on a Hook</a>' in which he demonstrated the badge designed for 'The Web and Beyond' conference in Amsterdam. Like previous dConstruct conferences, this design combined the programme and name badge, yet it used loop staples so it could be attached to a lanyard directly. Further still, the contents were printed upside-down so it could be read whilst being worn.</p>

<p>With <a href="http://agreenfocus.org">my campaign to improve our industry's impact on the environment</a> in mind, now seemed the perfect opportunity to try something similar at this years dConstruct conference.</p>

<p>In typical Clearleft style, we created a paper prototype to test the mechanics of the design. This revealed a number of possible weaknesses, both with the latch and from continually opening and closing the programme. Luckily, we had the print expertise of Gareth Jones at <a href="http://www.designbyjack.co.uk/">Jack Design</a>, who saw our vision, and recommended paper stock and latch mechanisms to mitigate these issues. Prototyping with final design proofs saw further iteration, changing the orientation and placement of pages to improve the flow, adjusting page sizes and folds to encourage the desired browsing behaviour.</p>

<p>The final product looks really great, and I'm excited to see them being used this Friday. Not only are they a greener alternative to previous years (in addition to the lanyards made from recycled plastic bottles) but they've worked out a little cheaper to produce too. Hopefully this format will prove popular and become a feature of future conferences. This being the first time we've used such a design I'm sure there will be plenty of feedback, so if you're at the conference please let me know your thoughts.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Are Web Design Conferences Becoming Too Safe?</title>
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			<id>tag:paulrobertlloyd.com,2010://1.254</id>

			<published>2010-07-23T00:42:20Z</published>
			<updated>2010-07-27T19:27:36Z</updated>

			<summary>Earlier this week, Simon Collison revealed the first fruits of his newly established private entrepreneurship. &apos;New Adventures In Web Design&apos; is an affordable one-day conference landing in Nottingham on 20th January 2011.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Net Culture" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="conferences" label="conferences" scheme="http://www.sixapart.com/ns/types#tag"/><category term="naconf" label="naconf" scheme="http://www.sixapart.com/ns/types#tag"/><category term="uk" label="uk" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Earlier this week, Simon Collison revealed the first fruits of his newly established private entrepreneurship. &apos;New Adventures In Web Design&apos; is an affordable one-day conference landing in Nottingham on 20th January 2011.
				<![CDATA[<p><a href="http://newadventuresconf.com/">New Adventures</a> follows a growing trend for affordable one-day conferences and workshops appearing outside London, in parts of the country that have been poorly served by such events until now. This is a really positive development, and one I gladly endorse--I'd much rather see people travel to local events like this than fly 5000 miles across the Atlantic to attend SXSW.</p>

<p><a href="http://colly.com/">Simon</a> has obviously put a lot of time and effort into organising this event too. The website is a work of art, and the conference will be held in an equally <a href="http://newadventuresconf.com/location/">inspiring venue</a>; clearly fit for the <a href="http://newadventuresconf.com/speakers/">impressive lineup</a> of ten talented and insightful industry experts that will be speaking.</p>

<h2>Only The Places Change</h2>

<p>Unfortunately my immediate reaction on seeing this lineup was one of disappointment. Not because these aren't great speakers--far from it--but this was confirmation of a long held suspicion that it's the same faces appearing in different places. Indeed, three of these speakers will be appearing at this year's dConstruct too.</p>

<p>The reliance on the same set of 20 or so speakers is honestly starting to feel a little bit tired, dare I say 'safe'. I believe there is a worthwhile discussion to be had on this subject, and as such this post shouldn't be seen as criticism of the New Adventures conference alone. </p>

<p>Maybe such criticism is unfair. Writing from the perspective of someone who has worked in the industry for six years, I've already seen these speakers many times over. For those just starting out, or finally able to attend such conferences thanks to lower pricing and locations outside London, they're an excellent opportunity to see these people speak, and hopefully chat with them over beers afterwards.</p>

<p>Yet I now find myself looking for more specialist content--<a href="http://www.thisisplayful.com/">Playful</a> in September and possibly <a href="http://www.thedesignofunderstanding.com/">The Design of Understanding</a> next January are sure to be highly thought provoking.</p>

<p>As the speakers at these two conferences, and my enduring experience of SXSW would suggest, I'm starting to believe it's with people <em>outside our community</em> from which I can gain the most insight, and help me to see my work in different ways (<a href="http://www.nowpublic.com/culture/nowpublic-sxsw2008-jane-mcgonigal-arg-designer-keynote">Jane McGonigal's 2008 keynote</a> at SXSW stands out in this regard). Whilst I see many presentations refer to architecture, fine art, game and product design, I rarely see speakers from these specialisms talk at web design conferences. You could attend separate events, but it's exciting to think what knowledge might be shared should different sectors of the design industry come together like this.</p>

<h2>New Blood</h2>

<p>It would also be nice to see some fresh blood appear at these events too, although I imagine one reason we're seeing the same people speak is because others in the community are reluctant to do so. <a href="http://www.andybudd.com/archives/2010/02/clearleft_offer/">Andy Budd's offer</a> of free training for budding conference speakers was notable for its lack of applicants.</p>

<p>There are a few conferences that do seem to be aiming for varied, more experiemental lineups though:</p>

<ul>
<li><p><strong><a href="http://buildconf.com/">Build Conference</a>:</strong> Last years speakers included Ryan Sims and Wilson Miner, whilst this year sees Belfast welcome Frank Chimero, Tim Brown and Keegan Jones; people I've not seen appear at other conferences. The creation of a conference 'fringe', with workshops, lectures and even a pub quiz planned to coincide with the main event is also an excellent means of getting the local web community involved too.</p></li>
<li><p><strong><a href="http://2010.dconstruct.org/">dConstruct</a>:</strong> (Excusing the obvious bias) I've not seen David McCandless, Samantha Warren, James Bridle or Marty Neumeier speak at many other conferences, whilst I believe John Gruber and Merlin Mann will be speaking in the UK for the first time.</p></li>
</ul>

<p>On a slightly smaller scale:</p>

<ul>
<li><p><strong><a href="http://speaktheweb.org/">Speak the Web</a>:</strong> A series of small, intimate, low cost events, these had the style of a gig and paired well known speakers with local developers who were either novices or who hadn&#8217;t spoken before.</p></li>
<li><p><strong><a href="http://multipack.co.uk/presents/">Multipack Presents</a>:</strong> Perhaps to a lesser extent than others mentioned, but this series of talks has often seen local Birmingham designers and developers speak alongside Bruce Lawson and Stuart Langridge.</p></li>
</ul>

<h2>New Adventures in Content</h2>

<p>Of course, there is a balance to be found, as for a successful event you need respected names to attract attendees. Yet I believe that even within these constraints--and as a few other conferences are proving--there is scope for more experimentation, both in terms of speakers and the content presented.</p>

<p>Returning to New Adventures, where <a href="http://newadventuresconf.com/schedule/">the schedule</a> is still in progress, the site currently states:</p>

<blockquote>
  <p>We're taking our time to carefully curate the event, working closely with the speakers to ensure we hit the right topics, and establish a strong narrative for the day</p>
</blockquote>

<p>With the 5-star lineup, this careful curation could very well mean New Adventures In Web Design is the must see conference for 2011, and I'm intrigued to see what presentations will feature. However it will be these rather than the speakers, that will determine whether I purchase a ticket or not.</p>

<hr />

<p><strong>Update:</strong> Since this article was published, <a href="http://colly.com/comments/new_adventures_in_web_design/">Simon has posted</a> some background information about the New Adventures conference. He also discusses the motives surrounding its creation, so is certainly worth reading in the context of this article.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>A New Library for Birmingham</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F06%2Fa_new_library_for_birmingham&amp;seed_title=A+New+Library+for+Birmingham"/>
			<id>tag:paulrobertlloyd.com,2010://1.253</id>

			<published>2010-06-29T21:21:41Z</published>
			<updated>2010-06-29T21:52:49Z</updated>

			<summary>Architecture has never been kind to Birmingham, but then Birmingham has never been kind to its architecture.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Design" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="architecture" label="Architecture" scheme="http://www.sixapart.com/ns/types#tag"/><category term="birmingham" label="Birmingham" scheme="http://www.sixapart.com/ns/types#tag"/><category term="birminghamcentrallibrary" label="Birmingham Central Library" scheme="http://www.sixapart.com/ns/types#tag"/><category term="libraryofbirmingham" label="Library of Birmingham" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Architecture has never been kind to Birmingham, but then Birmingham has never been kind to its architecture.
				<![CDATA[<p>Having looked fondly on previous visits to Birmingham Central Library, it was with much excitement that I returned again on Saturday, hoping to find some reference material for a forthcoming post.</p>

<p>As I walked from the NIA (past the 'Olympian Entrance', a remnant of the city's failed bid for 1992 Olympic Games), along the canal and over the bridge to the ICC, I was struck by the unimaginative architecture of <a href="http://en.wikipedia.org/wiki/Brindley_Place">Brindley Place</a>, much it a product of the previous decade. Indeed, I've often questioned why Britain's second city lacks any identifiable skyline to speak off--the <a href="http://en.wikipedia.org/wiki/British_Telecom_Tower_(Birmingham)">British Telecom Tower</a> and <a href="http://en.wikipedia.org/wiki/Rotunda_(Birmingham)">Rotunda</a> the only distinguishable buildings amongst a slew of high-rise offices and residential tower blocks awaiting eventual demolition.</p>

<p>On reaching Centenary Square, my path was obstructed by a large construction area, where Birmingham's next great architectural hope, the <a href="http://libraryofbirmingham.com/">Library of Birmingham</a> is being built. Designed by Dutch architects <a href="http://www.mecanoo.nl/">Mecanoo Architecten</a>, and scheduled for completion in 2013, this building is far from unremarkable.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Artists impression of the new Library of Birmingham.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/06/libraryofbirmingham1.jpg" alt="Library of Birmingham"/>
</div>

<p>A transparent glass building, wrapped in a delicate metal filigree, it will occupy a space between the Birmingham Repertory Theatre (The REP), a concrete clad building designed in 1964, and Baskerville House, a limestone building designed in 1936. These buildings will then inform the space immediately in front of them, dividing Centenary Square into three public spaces; one for monuments (its centrepiece being the Hall of Memory), one for culture (with a large sunken patio area) and one for outside entertainment.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Artists impression of the new Library of Birmingham in relation to Centenary Square.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/06/libraryofbirmingham2.jpg" alt="Library of Birmingham"/>
</div>

<h2>Birmingham Central Library</h2>

<p>Whilst I admire the bravery and ambition of this project, I'm sure the same level of excitement and aspiration surrounded the design of the <a href="http://en.wikipedia.org/wiki/Birmingham_Central_Library">current library</a>, opened in 1974. Unlike its replacement, this Brutalist style building was designed by a local architect, <a href="http://en.wikipedia.org/wiki/John_Madin">John Madin</a> and with the Rotunda and <a href="http://en.wikipedia.org/wiki/Alpha_Tower">Alpha Tower</a>, remains one of Birmingham's key Modernist buildings.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Birmingham Central Library, as it looks today. Original photo by <a href="http://www.flickr.com/photos/hisgett/4620759355/">Tony Hiskett</a>.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/06/birminghamcentrallibrary1.jpg" alt="Birmingham Central Library"/>
</div>

<p>I have to confess that I have a soft spot for this building, though it's often derided by the citizens of Birmingham.</p>

<p>Were it not for its unfortunate position, where it obstructs the flow of pedestrian traffic from Centenary Square to Chamberlain Square, I'd love to see it refurbished and given a new role in the city. How wonderful to see it set amongst the water gardens seen in the original plans, which were designed to soften the edges of this imposing mass of concrete. Perhaps too, the atrium could be returned to its original design, removed of the bars and fast food restaurants that currently suffocate this space. Instead, it faces demolition once the new library opens.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Inside Birmingham Central Library, as it was in 1974.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/06/birminghamcentrallibrary2.jpg" alt="Inside Birmingham Central Library"/>
</div>

<p>Will we talking about demolishing the new library in 40 years time, bemoaning it's messy, ill-defined exterior? Following a string of other big building projects in the city, none of which seem to give the city any architectural identity, it seems likely.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Enough</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F06%2Fiphone4&amp;seed_title=Enough"/>
			<id>tag:paulrobertlloyd.com,2010://1.252</id>

			<published>2010-06-26T20:39:20Z</published>
			<updated>2010-06-26T22:09:42Z</updated>

			<summary>I can wait another year before upgrading my iPhone 3G.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Technology" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="apple" label="Apple" scheme="http://www.sixapart.com/ns/types#tag"/><category term="iphone" label="iPhone" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				I can wait another year before upgrading my iPhone 3G.
				<![CDATA[<p><img src="http://paulrobertlloyd.com/_gfx/2010/06/iphone.jpg" alt="The iPhone 4" title="" /></p>

<p>If you read <a href="http://paulrobertlloyd.com/2010/06/ipad">my article about the iPad</a>, my reluctance to purchase the latest iPhone won't come as a surprise. Once again I find myself questioning a needless purchase, distancing myself from gadget junkies upgrading to the latest iPhone 4--many of whom queued for the iPad only a few weeks ago.</p>

<blockquote>
  <p>As geeks, it's incredibly easy to get seduced by gadget lust, as our obsessions are stoked by the endless, breathless Internet hype cycle. But as long as they operate, the gadgets already in our pockets and in our communities are good enough.</p>
</blockquote>

<p><cite>Paul M. David: <a href="http://shareable.net/blog/gadget-lust-vs-good-enough">Gadget Lust Vs. Good Enough</a></cite></p>

<p>My iPhone 3G is sluggish at times and forgoes the newer features introduced in later models. The iPhone 4 is a thing of shear beauty, particularly luring thanks to its 5-megapixel camera and Retina display. However, both the iPhone 3G and 3GS are supported by iOS 4--the very latest version of Apple's mobile operating system--meaning many of the new features are also available to those using older hardware.</p>

<blockquote>
  <p>The question I keep forcing myself to ask is do I need it, or is what I have now enough? I currently have an iPhone 3G. It takes great pictures, does email, web browsing, text messaging, runs apps, will run iOS 4 when it is released&#8230; I&#8217;m going to enjoy my iPhone 3G tomorrow just as much as I did yesterday, I&#8217;m going to do the same things with it that I would do with the new phone.</p>
</blockquote>

<p><cite>Patrick Rhone: <a href="http://minimalmac.com/post/674245265/iphone-4-its-very-pretty-and-once-again">iPhone 4</a></cite></p>

<p>The iPhone 3G still remains enough for me. It was such a step-change from anything I owned previously, that even now it feels ahead of its time. As I resist the urge to upgrade, I'll be looking forward to the huge leap in performance and new features I can expect should I decide to upgrade next year.</p>

<p>The best things come to those who wait.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Winning the World Cup Would Be the Worst Thing to Happen to English Football</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F06%2Freform_of_english_football&amp;seed_title=Winning+the+World+Cup+Would+Be+the+Worst+Thing+to+Happen+to+English+Football"/>
			<id>tag:paulrobertlloyd.com,2010://1.251</id>

			<published>2010-06-12T21:27:40Z</published>
			<updated>2010-06-21T21:34:12Z</updated>

			<summary>Winning this year&apos;s World Cup in South Africa would see a nation collectively paper over the cracks fast appearing in our national game, and delay the radical reform desperately needed in the sport.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Sport" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="england" label="England" scheme="http://www.sixapart.com/ns/types#tag"/><category term="football" label="Football" scheme="http://www.sixapart.com/ns/types#tag"/><category term="governance" label="Governance" scheme="http://www.sixapart.com/ns/types#tag"/><category term="thefa" label="The FA" scheme="http://www.sixapart.com/ns/types#tag"/><category term="worldcup2010" label="World Cup 2010" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Winning this year&apos;s World Cup in South Africa would see a nation collectively paper over the cracks fast appearing in our national game, and delay the radical reform desperately needed in the sport.
				<![CDATA[<p>First a disclaimer. I don't follow football or support a team, but I have observed the politics and underhand business operations that have gone hand-in-hand with its operation since <a href="http://paulrobertlloyd.com/articles/fcplc/">researching them in 2001</a>. Back then I was a passionate fan of the national side, but poor performances on the pitch, and unsightly behaviour from fans on the streets, has pretty much turned me off the game entirely.</p>

<p>In fact, it increasingly appears that following the national side is less about patriotism, more the involvement in a marketing exercise undertaken by corporations seeking to take advantage of the public's unquestionable support for their country. Surely the irony can't be missed, as Danish brewing companies, Japanese electronics manufacturers and American confectionery corporations seek to brand themselves as English; all whilst backed by jingoistic tabloid newspapers, half of which are owned by an Australian.</p>

<p>This pseudo-patriotism has long masked England's failings, yet I wonder how much longer these companies will wish to associate themselves with a team whose performances are increasingly sub-standard, and a game that is far down the road to financial meltdown.</p>

<p>Many of our domestic clubs now find themselves saddling huge amounts of debt, either since being sold to <a href="http://en.wikipedia.org/wiki/Malcolm_Glazer_ownership_of_Manchester_United">individuals with questionable business objectives</a>, or simply down to bad financial management. The Football Association, whose governance is out-dated and often susceptible to the whims of the more powerful Premier League, means the tough regulation required is painfully absent. Meanwhile players are so massively overpaid that their financial success has become detrimental to the grassroots of the game.</p>

<p>Our national stadium, once regarded as the 'church of football', is now a soulless and uninspiring monument to recent extravagances in the sport. Financed by hosting hundreds of pop concerts and other sporting events, these have left <a href="http://news.bbc.co.uk/1/hi/magazine/8010031.stm">a pitch that is unsuitable</a> for the sport for which it was intended.</p>

<p>Finally, the top division, spurred on by the influx of television money and commercial interests from abroad, has meant investment has gone on players wages rather than grassroots activities and youth development, with imported foreign talent seen as the quickest route to success. Unsurprisingly, we now find ourselves with fewer English players competing in the top leagues and competitions, and an apparent inability to find a suitable English manager to coach them.</p>

<p>Of course, should England be judged to have performed badly at this year's tournament, it will likely be the manager who is blamed, yet the irony is that Fabio Capello has provided just the sort of leadership the team has needed, imposing strict discipline and forcing players to focus on football rather than their mobile phones.</p>

<h2>Now Is the Time for Reform</h2>

<p>With both the chairmanship and executive positions at the FA unfilled, and as the country is being asked to prepare for cuts to public services and increased taxes, now is the perfect time to reform the governance of football in this country.</p>

<p>The game needs strong regulation from an organisation willing and able to scrutinise the financial management of clubs, putting the interests of the game above those of a few rich and powerful clubs. Perhaps only possible if The FA, Premier League and Football League finally put aside their differences and came together as one organisation, it's only reform of this magnitude that will lead to a brighter future and subsequent success internationally. At the same time, clubs need to start paying realistic wages, else players should be prepared to start investing their income back into the sport rather than their own property portfolios. Most importantly, supporters need to be given greater ownership and say over how their clubs are run.</p>

<p>Much like the wider economy, football in this country is an overinflated bubble ready to burst. Two years after failing to qualify for the European Championships, let us see further embarrassment with an early exit from the World Cup. Then let us seize this opportunity to properly scrutinise the national game and its failings, rather than single out the manger or individual members of the squad.</p>

<p>Only by radically reforming the governance and management of the sport, can we ever hope to win the World Cup.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Four Hundred &amp; Twenty-Nine Pounds</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F06%2Fipad&amp;seed_title=Four+Hundred+%26amp%3B+Twenty-Nine+Pounds"/>
			<id>tag:paulrobertlloyd.com,2010://1.250</id>

			<published>2010-05-31T23:34:19Z</published>
			<updated>2010-06-20T18:40:32Z</updated>

			<summary>As the masses on Twitter continue to congratulate themselves on their latest technology purchase, I can&apos;t help but feel strangely removed from all this excitement.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Technology" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="apple" label="Apple" scheme="http://www.sixapart.com/ns/types#tag"/><category term="charity" label="Charity" scheme="http://www.sixapart.com/ns/types#tag"/><category term="ipad" label="iPad" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				As the masses on Twitter continue to congratulate themselves on their latest technology purchase, I can&apos;t help but feel strangely removed from all this excitement.
				<![CDATA[<p>I've long been a fan of Apple's products, yet even whilst the rumours grew about an 'Apple Tablet', and certainly since its announcement in January, I've never found myself as excited by the iPad as others have.</p>

<p>Maybe I should. As an admirer of Jonathan Ive's work, this device--simply a 9.7 inch screen framed by a thick black bezel--is surely the apotheosis of a life's work. Often inspired by Dieter Rams, this is yet another product that aims to satisfy Ram's <a href="http://clagnut.com/blog/2307/">ten design tenets</a>.</p>

<p>Yet I can't ignore the inescapable feeling: I don't need--or want--this product.</p>

<p>Often sat with an iPhone in my pocket or a Mac on my desktop, when I am in a situation where I need a device that sits between these two extremes I use my laptop. It's already clear that I own more technology than I require, and perhaps that explains why I don't wish to add a fourth. Even so, I can't imagine replacing any of my existing devices with an iPad either.</p>

<p>I suspect the same is true for many of the <a href="http://www.apple.com/pr/library/2010/05/31ipad.html">two million people</a> who have invested hundreds of pounds for the 'distinction' of being one of the first to own one. This, a prize inevitably egged on by a publishing industry which sees the iPad as its only path to salvation, and perhaps by developers too, who having seen the price of their iPhone applications driven down on the App Store, see this as a means to regain their profit margins.</p>

<h2>The Wrong Users?</h2>

<p>I find it hard to believe those who have purchased the iPad so far are those who will truly benefit. From what may be a blinkered view, it appears the vast majority of people who have brought the iPad are early adopters--and yes, what counter iPad argument can exist without the word 'fanboy' thrown in--the complete opposite audience for which this product is intended. Geared more to content consumption than creation <a href="http://adactio.com/journal/1644/">as my colleague Jeremy suggests</a>, this is a device more suited to my mother than me.</p>

<p>This is not to say I'm not fascinated by user experience on the iPad. It's interesting how just a change in scale requires an entirely different approach, especially when it's essentially the same technology as that used in the iPhone.</p>

<p>Indeed, in the limited exposure I've had with the product, it would seem many developers have yet to discover it's full potential, with most magazines transforming the iPad into nothing more than a glorified PDF reader. A number of apps--including those designed by Apple--require the use of multi-touch gestures that aren't immediately obvious until somebody demonstrates them. I'm excited by those early apps that are willing to investigate what's possible, yet how much interactivity can compensate for the iPad's low resolution, weight and material inflexibility compared to paper?</p>

<p>Whilst I may be excited by such possibilities, I don't feel the need to spend more than £429 for the privilege of owning one. Whilst I'm sure those who have brought one will have valid reasons for their purchase, I find it hard not to see it as anything but greed in the face of over consumption. How many iPads will be left on tables, unused and unloved in a years time? If so, how could that money have been better spent? <a href="http://gregorywood.co.uk/journal/thirteen-alternative-things">Gregory Wood has 13 possibilities</a> already.</p>

<h2>Money Better Spent</h2>

<p>With that in mind, I've decided to put my money where my mouth is, and donate £429 to projects guaranteed to enrich many more lives than 9.7 inches of touchscreen glass could possibly improve my own.</p>

<p>By splitting the price of a 16GB Wi-Fi iPad between the three charities I support, I've been able to fund:</p>

<h4>For WWF</h4>

<ul>
<li>The training of one villager, in Borneo, to become a Wildlife Warden</li>
<li>Ten days salary for a Rhino Protection Unit ranger</li>
<li>72 seedlings to help replant the forests of Tanzania</li>
</ul>

<h4>For Action for Children</h4>

<ul>
<li>An inexperienced parent to join an Action for Children parenting course</li>
<li>An educational toy for a family centre toy library</li>
<li>A hot nourishing lunch for 10 neglected children</li>
<li>Payment towards a fun day out for a neglected child</li>
</ul>

<h4>For World Vision</h4>

<ul>
<li>20 mosquito nets</li>
<li>A fruit tree</li>
<li>A chicken</li>
</ul>

<p>(Estimates taken from <a href="http://support.wwf.org.uk/">WWF's donation page</a>, <a href="http://www.actionforchildren.org.uk/donate/">Action for Children's donation page</a> and the <a href="http://www.musthavegifts.org/">Must Have Gifts</a> I purchased from World Vision).</p>

<p>When you see how such an amount of money can be spent on rather more important things than a luxury technology device, you might understand why I get so frustrated by the continual tweeting about your iPad.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Learning to Sketch</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F05%2Flearning_to_sketch&amp;seed_title=Learning+to+Sketch"/>
			<id>tag:paulrobertlloyd.com,2010://1.249</id>

			<published>2010-05-31T13:01:17Z</published>
			<updated>2010-06-20T00:48:59Z</updated>

			<summary>Quite often at Clearleft we like to do activities together as a company. In the past this has meant visiting museums in London, a night out at the Brighton Comedy Festival and of course our popular movie nights. Last week however it was time to do something a little more practical.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Design" scheme="http://www.sixapart.com/ns/types#category"/><category term="Web Design" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="clearleft" label="Clearleft" scheme="http://www.sixapart.com/ns/types#tag"/><category term="davegray" label="Dave Gray" scheme="http://www.sixapart.com/ns/types#tag"/><category term="sketching" label="Sketching" scheme="http://www.sixapart.com/ns/types#tag"/><category term="visualthinking" label="Visual Thinking" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Quite often at Clearleft we like to do activities together as a company. In the past this has meant visiting museums in London, a night out at the Brighton Comedy Festival and of course our popular movie nights. Last week however it was time to do something a little more practical.
				<![CDATA[<p>With <a href="http://davegray.info/">Dave Gray</a> speaking at this year's <a href="http://2010.uxlondon.com/">UX London</a>, Andy asked if he would then visit Brighton and run a sketching workshop for everyone at Clearleft.</p>

<p>Whilst I wasn't sure what to expect initially, I soon realised this was an excellent opportunity to spend two days away from the computer and reconnect with those traditional--although no less effective--communication tools, pen and paper, tools that I had since replaced with software.</p>

<p>The throughly nice (and incredibly tall) Dave talked us through some warming up exercises, drawing lines and simple shapes, combining these to create representations of people and objects, before building upon these skills to a point where we could work together to visually communicate ideas and processes. You can see some of <a href="http://www.flickr.com/photos/paulrobertlloyd/sets/72157624166668842/">my resulting sketches on Flickr</a>.</p>

<p>However, what I found most useful from the two days was a little tip on how to perfect a neater writing style. Not only was his advice to slow down (a common theme throughout the workshop) but also to use consistent angles for strokes--slanted to the right for the verticals and slightly upwards for the horizontals.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">My original writing style (top) versus that recommended by Dave Gray (bottom).</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/05/writingstyle.png" alt="Original versus adapted writing styles"/>
</div>

<p>I loved the simplicity of this tip--obvious in retrospect--yet sometimes you just need a third party to point these things out. Indeed, much of the workshop revolved around building confidence. For example you needn't worry about the quality of your sketches along as they communicate your ideas effectively.</p>

<p>The one lasting idea I will take a way from this workshop is to always carry a sketch book, and Dave gave us some ideas for what to sketch inside it too. Rather than focus on objects immediately in front of you, look more to those in the distance as this will help you break complex objects into elementary shapes. Hopefully by sketching like this, your proficiency and confidence will improve too.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>An Opportunity For Change</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F05%2Felection&amp;seed_title=An+Opportunity+For+Change"/>
			<id>tag:paulrobertlloyd.com,2010://1.248</id>

			<published>2010-05-04T01:30:00Z</published>
			<updated>2010-06-20T18:25:17Z</updated>

			<summary>As an era of Labour government led by Gordon Brown surely comes to an end, I reflect on my changing political attitudes and the decision I&apos;ll be making at the ballot box this coming Thursday.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Politics" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="conservatives" label="Conservatives" scheme="http://www.sixapart.com/ns/types#tag"/><category term="davidcameron" label="David Cameron" scheme="http://www.sixapart.com/ns/types#tag"/><category term="democracy" label="Democracy" scheme="http://www.sixapart.com/ns/types#tag"/><category term="election" label="Election" scheme="http://www.sixapart.com/ns/types#tag"/><category term="gordonbrown" label="Gordon Brown" scheme="http://www.sixapart.com/ns/types#tag"/><category term="labour" label="Labour" scheme="http://www.sixapart.com/ns/types#tag"/><category term="liberaldemocrats" label="Liberal Democrats" scheme="http://www.sixapart.com/ns/types#tag"/><category term="nickclegg" label="Nick Clegg" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				As an era of Labour government led by Gordon Brown surely comes to an end, I reflect on my changing political attitudes and the decision I&apos;ll be making at the ballot box this coming Thursday.
				<![CDATA[<p>General elections, coming as infrequently as they do, allow for a moment to pause and think about your own political instincts, allegiances, and how they have changed over time.</p>

<p>I was brought up in a middle class, conservative family, under Thatcher and Major governments whose Eurosceptic views were mirrored by my parents. At school, I made my political views clearly known, indeed one friend said to me recently 'if we were to cut you in half all you would see was blue'. </p>

<p>Yet moving to California changed my views fundamentally. Able to see the country from a distance meant I warmed to Britain having closer ties with Europe; living in a pure capitalist society moved me politically to the left--the 'American Dream' being nothing short of a slogan for greed and selfishness.</p>

<p>At the same time, increasing deregulation in America allowed risk-adverse business practices to go unnoticed as long as the consequence was profit. This environment of unfettered capitalism ultimately led to financial crisis in the banking industry and the resulting bailouts, recessions and deficits that now besiege our country and many others across Europe.</p>

<p>I'm reminded by what <a href="http://www.guardian.co.uk/commentisfree/2010/feb/21/david-mitchell-kraft-cadbury">David Mitchell wrote recently</a> in his column for The Observer:</p>

<blockquote>
  <p>Public limited companies are amoral. They're driven purely by their constitutional requirement to turn as large a profit as possible for their shareholders. People can be good or evil, ambitious or lazy, angry or fearful--plcs are none of these things. They unthinkingly, unswervingly, pursue money--that is their programming.</p>
  
  <p>To this end, they'd murder or steal if it weren't for the risk of prosecution, and do so in its absence. People are different. While the law is a disincentive, the main reason most of us don't kill, punch or burgle is that we think it's wrong and consequently prefer not to. Corporations have no such moral sense.</p>
</blockquote>

<p>If there is one thing we should learn from the economic crisis, it is that whilst companies should be free to peruse profit, create jobs and contribute to the overall economy, they need to be kept under close scrutiny to ensure their own ambitions don't become so great as to threaten the stability of the country in which they choose to reside.</p>

<p>Therefore we need to elect governments that actively serve the electorate over the narrow interests of corporations, their lobbyists and shareholders. Never again should a politician utter the words 'too big too fail'.</p>
]]>
				<![CDATA[<h2>Conservatives: Everything Changes But You</h2>

<p>With this in mind, I can't seriously consider a vote for the Conservatives. This party is not only supported by an array of unscrupulous and powerful figures (Lord Ashcroft, Rupert Murdoch et. al.) but its centre-right beliefs mean it exists to defend capitalism, the market economy and limit government regulation, the very things that got us into this mess in the first place.</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/05/conservatives.png" alt="Conservative party logo" class="right"/></p>

<p>Its allegiance with business could be clearly seen from the outset of the campaign. As party leader David Cameron rolled out a long list of business leaders who supported his call to scrap Labour's planned 1% national insurance rise (a tax that both employer and employee have to pay), it was no surprise their response was the same as if he had asked if they wanted free ice-cream.</p>

<p>Is it the right decision to start cutting this year whilst we are slowly exiting a recession, or wait until next year as both the Labour and Liberal Democrats argue is the best way forward? I don't know. Whilst I like the idea of reducing the size of the public sector, I'm not sure I want the Conservatives wielding the axe.</p>

<p>Whilst the 'Big Society' sounds like a great idea, dig a little deeper and the policies that contribute to it soon start to fall apart. For example, the idea to allow local referendums. The Conservative manifesto states:</p>

<blockquote>
  <p>We want to give individuals more direct control over how they are governed. So, mirroring our reforms at the national level, we will give residents the power to instigate local referendums on any local issue if 5 per cent of the local population sign up, and they will also be able to veto any proposed high council tax increases. </p>
</blockquote>

<p><cite>Conservative Manifesto 2010, page 75</cite></p>

<p>David Cameron talked about this policy being based on the proposition system used in California. I assume he was hoping mention of this sunny American state would be enough to persuade voters, but it's this system that has seen California's budget become increasingly ring-fenced from successive ballot measures and contributed to its bankruptcy.</p>

<h3>Dangerous Alliances</h3>

<p>The policy of aligning with the Ulster Unionists seems incredibly short-sighted, created purely to benefit the party rather than the stability of the Northern Ireland Assembly. The same could also be said for the Conservative led grouping within the European Parliament. Whilst David Cameron talks of 'compassionate conservatism'--taking action on climate change and ensuring equality--this was soon forgotten in the quest to form a right-wing eurosceptic coalition alongside parties that believe quite the opposite.</p>

<p>Whilst Labour once had Murdoch's favour, it is now the Conservative Party that has the support of his papers (which occupy 40% of readership in the UK) and his other media outlets, a deal that no doubt ensures a Cameron lead administration <a href="http://news.bbc.co.uk/1/hi/uk/8601711.stm">will opt for policies that benefit his own business interests</a>.</p>

<p>In a recent Guardian article, former editor of The Sun, <a href="http://www.guardian.co.uk/commentisfree/2010/apr/18/clegg-media-elite-murdoch-lib-dem">David Yelland wrote</a>:</p>

<blockquote>
  <p>Over the years the relationships between the media elite and the two main political parties have become closer and closer to the point where, now, one is indistinguishable from the other. Indeed, it is difficult not to think that the lunatics have stopped writing about the asylum and have actually taken it over.</p>
</blockquote>

<p>With a BBC Charter renewal process to begin within the lifetime of the next Parliament, I would fear cuts to its funding and further changes to it's regulation, all of which likely to damage its independence and strengthen Murdoch's dominance.</p>

<h3>Opposition to Reform</h3>

<p>Finally, at a time when the country has an appetite for electoral reform and greater accountability of politicians to the electorate, it is only the Conservative party that advocates <em>less</em> representation, suggesting the number of MPs be reduced, and the size of constituencies increased (no doubt to their own benefit). Their manifesto states:</p>

<blockquote>
  <p>We support the first-past-the-post system for Westminster elections because it gives voters the chance to kick out a government they are fed up with.</p>
</blockquote>

<p><cite>Conservative Manifesto 2010, page 75</cite></p>

<p>When the current poll ratings suggest that Labour could come third in the popular vote, yet return to Parliament with a greater number of seats, this confirms the level of fantasy contained within their manifesto.</p>

<p>On examining every part of the Conservative offer, I see no benefit to me, wider society or the country as a whole. All they offer is unspecified change, perhaps looking across the Atlantic and the success of Barack Obama. Yet Obama's promise of change was backed up by real policy, whereas the few proposed by David Cameron reveal themselves to be hollow and poorly thought out; designed only to benefit the success of his own party, rather than the country he hopes to lead.</p>

<h2>Labour: End of the Line</h2>

<p>I've never voted Labour, and although my political views have moved further to the left, an unjustified war in Iraq and support for George W. Bush means I still find it difficult to place a cross beside a Labour candidate. Whilst their 13 years in power saw them do some great things (investment in public services, equal rights, less crime, reduced child poverty etc.) the gap between rich and poor has increased, civil liberties have been eroded, and the economy is in tatters, primarily thanks to the stewardship of former Chancellor and current Prime Minister, Gordon Brown.</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/05/labour.png" alt="Labour party logo" class="right"/></p>

<p>I actually welcomed Gordon Brown's eventual succession over Tony Blair. I liked that we might have a Prime Minister less concerned with presentation, more focused on substance. Yet it soon became apparent that what he lacks in charisma, he also lacks in leadership ability. His cabinet has splintered and disintegrated to the point that is now made up of a number of unelected peers running departments within the executive.</p>

<p>Bringing Lord Mandelson back into the cabinet, brought with it the retched stench of New Labour. After a failed attempt to privatise the Post Office, he set about satisfying lobbyists for the music and film industries with the Digital Economy Bill. Not only did this bill benefit those with vested interests (with parts of the bill written by the BPI), but it was allowed to pass into law during 'wash-up'; a period of inter-party deal making before the dissolution of Parliament. Yet another undemocratic procedure we've learnt about during this campaign.</p>

<p>This was particularly surprising given the public outcry over expenses scandal and Labour's promises to reform Parliament. Yet only the very minimum was ever achieved; Gordon Brown only talking up the idea of (limited) proportional representation once it became clear he was leading his party into its largest electoral defeat in decades.</p>

<p>If I was to vote for a party that respects the will of the people then by that measure, the Labour Party has dramatically failed. It's 13 years can be summed up simply as lies and spin under Blair, indecision and inaction under Brown.</p>

<h2>Liberal Democrats: Refreshingly Different</h2>

<p>Whilst it always seemed probable that Labour wouldn't win this years campaign outright, nobody predicted the surge in support for Britain's often overlooked third party, the Liberal Democrats. I believe the polls still show them with a considerable proportion of support because many of their policies are credible, even though the other two parties and the media cabal continue to discredit them.</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/05/liberaldemocrats.png" alt="Liberal Democrats party logo" class="right"/></p>

<p>On the Trident nuclear deterrent, the Liberal Democrats position is that it should be looked at as part of a wider defence review. Given the massive deficit, how can such a costly line item be ignored? It's worth noting that no party wishes to argue the case for full disarmament. If you've been asking yourself why, it's because this round-the-clock nuclear deterrent ensures we keep our seat on the UN Security Council.</p>

<p>On immigration, it seems that Nick Clegg was the only leader of the three main parties willing to talk about this issue in the first place. We saw in Rochdale <a href="http://news.bbc.co.uk/1/hi/uk_politics/election_2010/8649448.stm">what happens when Gordon Brown is questioned about immigration</a>, and I assume the Conservatives wished to avoid this issue all together given they based much of their 2005 election campaign on such policies and lost. Whilst I think there are elements of the Liberal Democrats policy that can be argued against, at least they seem willing to tackle the problem in a serious manner, rather than cloak the issue with rhetoric that plays straight into the hands of parties on the far-right.</p>

<p>On the European Union, an institution I think nobody has a deal great respect for (even Europhiles), at least the Liberal Democrats are proposing to put this issue to the public in a referendum. Given the party has long been arguing for fixing our own democratic system, it seems unimaginable that they wouldn't be arguing for similar reforms in Europe too. Any sign of a party wanting to engage with our other European partners is seen as a weakness, yet this country's approach to date has only seen us lose influence within the Union.</p>

<p>On electoral and constitutional reform, the Liberal Democrats have been arguing for proportional representation for generations, although only now has it become clear to the electorate as to why. It's absurd to think a party can achieve 30% of the popular vote, yet only gain 15% of the seats available in the House of Commons. The fact that our upper chamber is full of unelected appointees is sickening and gives our country no right claim itself as democratic.</p>

<p>It's also important to remember that Liberal Democrats are not affiliated with the unions such is Labour, and given their third party status, less attractive to special interests unlike the Conservatives. Returning to <a href="http://www.guardian.co.uk/commentisfree/2010/apr/18/clegg-media-elite-murdoch-lib-dem">David Yelland's article</a>, he states:</p>

<blockquote>
  <p>Make no mistake, if the Liberal Democrats actually won the election - or held the balance of power - it would be the first time in decades that Murdoch was locked out of British politics. In so many ways, a vote for the Lib Dems is a vote against Murdoch and the media elite.</p>
</blockquote>

<p>That sounds like my perfect vote.</p>

<h2>Conclusion</h2>

<p>This has easily been the most exciting general election in living memory--mainly because it's been a true three party race. This was largely thanks to the televised leaders debates, that gave the Liberal Democrats and Nick Clegg the sort of exposure that's been lacking up until now.</p>

<p>Whilst the resulting surge in support for the Liberal Democrats can be seen as a good thing, it does seem that the debates have been at the cost of scrutinising policy--the media more concerned with the leaders body language and slip ups rather than what they and their party are proposing in their manifestos. Yet if they have meant increased voter engagement (and hopefully this will be reflected in the numbers turning out to vote on Thursday) I think we can consider them a success. However, we need to be mindful that we don't sleep walk towards a presidential system, a style of government that seems to be solidifying with each incumbent at Number Ten.</p>

<p>Even without an appearance in the debates, it's also important to note the relative success of the smaller parties too. There's a real chance that the Brighton Pavilion constituency will return the first Green MP to Parliament which has been far too long coming.</p>

<p>Indeed, with such a choice available to voters, the inadequacy of the First Past the Post system is plain to see. I really hope we elect a government willing to reform our democracy and constitution, meaning this can be the last election where we talk about 'safe seats', and tactical voting (something I refuse to partake in).</p>

<p>Whilst the Conservatives argue that proportional systems lead to ineffective coalitions, there is nothing to be feared by having such a result (unless your a Tory of course). Not only have they worked well in other countries, but it's shown to work in the UK too--the devolved Parliament in Scotland had a coalition government for many years, and the Welsh assembly has one now.</p>

<p>Indeed, as our country faces severe austerity measures--large tax increases and cuts to public services--surely a government representing 60% of the electorate is best able to enact these polices rather than a government with a minority (or slight majority) only commanding 35% of public support.</p>

<p>I don't fear a coalition or hung parliament, I do favour electoral and constitutional reform and I like many of the policies proposed by the Liberal Democrats. That's why I'll be voting for their local candidate on Thursday May 6th.</p>
]]>
			</content>
		</entry>
	
		<entry>
			<title>Social Media Icons: A Rationale</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F03%2Fsocial_media_icons_rationale&amp;seed_title=Social+Media+Icons%3A+A+Rationale"/>
			<id>tag:paulrobertlloyd.com,2010://1.246</id>

			<published>2010-03-15T08:30:00Z</published>
			<updated>2010-06-19T20:06:51Z</updated>

			<summary>I&apos;ve finally released the long awaited update to my popular social media icon set adding 12 new icons and a few design tweaks for good measure.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Projects" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="designprinciples" label="Design Principles" scheme="http://www.sixapart.com/ns/types#tag"/><category term="socialicons" label="Social Icons" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				I&apos;ve finally released the long awaited update to my popular social media icon set adding 12 new icons and a few design tweaks for good measure.
				<![CDATA[<p><a href="http://paulrobertlloyd.com/2009/06/social_media_icons">Social Media Icons v1.5</a> adds a number of highly requested icons, including those for Dribbble, Foursquare, Gowalla, PayPal, Xbox Live and Zootool. As the jump in version number suggests, this update also brings a few design tweaks too. Outer borders are now alpha-transparent (icons should sit better on different coloured backgrounds), the inner bevel design has been modified and with <a href="http://agreenfocus.org">a.green:focus</a> in mind, icons files are now compressed with file sizes down 50% on average.</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/03/socialiconsv15.png" alt="The 12 new icons in v1.5 update" title="" /></p>

<p>Just as importantly, this update also removes two icons (the Fire Eagle Mascot icon was unnecessary and iMeem has been purchased and absorbed into MySpace). As the collection reaches 70 icons, I'd honestly like to remove more.</p>

<p>This desire perhaps gives an insight into the thinking behind these icons. During the creation of this set I've kept a number of design principles in mind, so I thought it would be useful to state these out loud--especially as they may answer some questions being asked about the set.</p>

<h2>Design Principles</h2>

<ol>
<li><p><strong>Consistently Styled, Not Overly Designed</strong></p>

<p>As stated when I launched these icons, this icon set was largely inspired by Rogie King's <a href="http://www.komodomedia.com/blog/2009/06/social-network-icon-pack/">Social Network Icon Pack</a>. Although his is an absolutely beautifully crafted set, at the same time I felt it exuded to much of its own style. I wanted something a little more generic, yet with an overall consistency not available when simply using the favicons created by the different social media services. I still feel I have some way to go on creating an overall consistency however.</p></li>
<li><p><strong>Icons for People, Not Companies</strong></p>

<p>Keeping in mind a desire to keep the number of icons to a minimum, I'm only creating icons for which there can be an associated URL, be that to a social profile or social action (such as sharing). For example, this update adds an icon for xBox Live Gamer Cards, but not PlayStation or Wii as these products have no online presence.</p>

<p>I often get asked for icons for different blogging platforms (Blogger, WordPress, Movable Type etc.) yet I would suggest the 'website' icon is equally, if perhaps not more suitable for this purpose. Providing icons for every blogging platform or CMS is neither desirable nor necessary.</p></li>
<li><p><strong>Cater for the 80%</strong></p>

<p>Social media start-ups come and go, and I only wish to create icons for services that have an ounce of longevity. So whilst your favourite social media commentator (or '<a href="http://ismikearringtonadick.com/">douchebag</a>' for short) may rave about services like <a href="http://friendfeed.com/">FriendFeed</a>, I only plan to create icons for services that have shown themselves to be successful outside the Silicon Valley echo chamber. Indeed, not creating an icon for FriendFeed has proven to be correct given its acquisition by Facebook and uncertain future.</p>

<p>There have been a number of requests for social media services that are popular in Europe and Asia. I'm currently debating whether to add these services to the set.</p></li>
<li><p><strong>Provide Alternatives</strong></p>

<p>Not a fan of the <a href="http://facebook.com">monopolies</a> that have started to appear within the social web, you will note that where possible, I've provided icons for competing services. So for example this update sees an icon for Foursquare even though I'm personally a fan of Gowalla. The same is true for LinkedIn (I've added an icon for XING), Ember (Zootool), Twitter (Identica) and many others.</p></li>
<li><p><strong>Reflect Established Brand Assets</strong></p>

<p>Where possible, I've tried to reflect the design of each icon based on a services own favicon, but I also look at the avatars for these services on Twitter, as well as perform web searches to see if common representations have emerged. This is true for all icons except YouTube--the favicon is an abomination, and I happily defend my decision not to use it in this set.</p></li>
</ol>

<p>However, don't let these principles dissuade you from nominating additions--indeed a number of icons have been added due to such requests. Yet before you do, ask yourself whether an icon would satisfy the above requirements first.</p>

<p><a href="http://paulrobertlloyd.com/2009/06/social_media_icons#download">Download the Social Media Icon set</a></p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>Green My South By</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F03%2Fgreen_my_south_by&amp;seed_title=Green+My+South+By"/>
			<id>tag:paulrobertlloyd.com,2010://1.245</id>

			<published>2010-03-12T02:42:00Z</published>
			<updated>2010-06-20T18:30:49Z</updated>

			<summary>Once again, I feel the duty falls upon me to remind those attending this year&apos;s SXSW festival in Austin, that you really need not pick up that big, heavy, cumbersome and frankly useless bag of marketing junk.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Environment" scheme="http://www.sixapart.com/ns/types#category"/><category term="Net Culture" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="agreenfocus" label="a.green:focus" scheme="http://www.sixapart.com/ns/types#tag"/><category term="sxsw" label="SXSW" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Once again, I feel the duty falls upon me to remind those attending this year&apos;s SXSW festival in Austin, that you really need not pick up that big, heavy, cumbersome and frankly useless bag of marketing junk.
				<![CDATA[<p><img src="http://paulrobertlloyd.com/_gfx/2010/03/sxsw2010.png" alt="South By 2010: Tomorrow Happens Here" title="" /></p>

<p>Please take a moment to <a href="http://paulrobertlloyd.com/2009/03/nothing_green_about_sxsw">read my thoughts about the SXSW 'Big Bag'</a> that I posted last year, and <a href="http://blog.agreenfocus.org/post/442407174/tomorrowhappenshere">download the poster</a> from the <a href="http://blog.agreenfocus.org">a.green:focus blog</a> and add it to your own website.</p>
]]>
				

			</content>
		</entry>
	
		<entry>
			<title>A Green Focus</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F02%2Fa_green_focus&amp;seed_title=A+Green+Focus"/>
			<id>tag:paulrobertlloyd.com,2010://1.244</id>

			<published>2010-02-19T16:47:08Z</published>
			<updated>2010-06-19T20:09:27Z</updated>

			<summary>I ended my review of 2009 promising to write more about green issues and how I plan to lessen my impact on the environment. Now I expand on those ideas further.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Environment" scheme="http://www.sixapart.com/ns/types#category"/><category term="Projects" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="1010" label="10:10" scheme="http://www.sixapart.com/ns/types#tag"/><category term="agreenfocus" label="a.green:focus" scheme="http://www.sixapart.com/ns/types#tag"/><category term="carbonfootprint" label="Carbon Footprint" scheme="http://www.sixapart.com/ns/types#tag"/><category term="flying" label="Flying" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				I ended my review of 2009 promising to write more about green issues and how I plan to lessen my impact on the environment. Now I expand on those ideas further.
				<![CDATA[<p>As I reflected upon in <a href="http://paulrobertlloyd.com/2010/01/2009_in_review">my yearly review</a>, I made one substantial change in my behaviour, and a few smaller ones, that are hopefully reducing my carbon footprint. No longer relying on a car is something I can take a great deal of pride in, although I should confess that I still find driving desirable, especially since my discovery of the <a href="http://www.volvocars.com/uk/all-cars/volvo-c30/">Volvo C30</a>.</p>

<p>Other small changes--switching off lights when they are not being used, reusing plastic containers when getting a take away, using a bag for life, turning off my computer overnight--might not make a substantial difference, but hopefully set an example to others.</p>

<p>As such, I find myself criticising other people for making decisions that I don't believe to be in the interests of sustainability. For example, the perceived need to own televisions of ever increasing size, which seems less about improving the viewing experience, more a wish to conform with this unfounded measure of success.</p>

<p>A friend who brought their iPhone at the same time as me, recently upgraded 'because they were told they could'. This perpetual upgrade cycle, driven by phone companies wishing to get customers onto new tariffs or contracts also frustrates me. I certainly have no plans to upgrade my device for the foreseeable future.</p>
]]>
				<![CDATA[<h2>Undermined</h2>

<p>Yet on many occasions, <a href="http://twitter.com/davidlwarner/status/7432026527">friends have questioned such criticism</a>, especially given the amount of flying I've been doing over the last few years, which has not only countered other changes I've made but also undermined the example I've been trying to set.</p>

<p>Having said that, I will staunchly defend the practice of travel. I think leaving the comfort zone of your surroundings, experiencing other cultures and seeing your own from a different perspective is to be encouraged. I believe my world view has fundamentally changed since the short time I lived in the US, and more recent travels around Europe.</p>

<p>Prior to my move to California in 2006, I had flown only once, on a long haul return flight to Australia to 2003. Yet moving to America brought with it the obvious need to return home to see friends and family as often as possible, and flying quickly became second nature.</p>

<p>However, thanks to <a href="http://dopplr.com">Dopplr</a>'s ability to track the carbon generated from all these trips I've taken, you can see that since returning from America in 2007, there has been a year-on-year reduction of my footprint:</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/02/carbonfootprint.png" alt="My carbon footprint since 2003 as measured by Dopplr" title="" /> </p>

<p>Still, <strong>my friends are still right</strong>; flying so often undermines my ability to advocate a greener lifestyle. It also dawned on me just how unpleasant the entire experience is anyway. Endless queuing, administration and <a href="http://paulrobertlloyd.com/2010/01/lax">frustration</a>, just to travel in pretty appalling conditions--I can't think of any other situation in which waking up two strangers and crawling across a row of seats, just to visit the toilet would be tolerated, but it is here.</p>

<h2>Changes</h2>

<p>Contrast this with travel by train. Much of the queuing and waiting is gone, and you can travel from the centre of one city to another in a matter of hours. For just a little extra you can upgrade to first class, enjoy free wireless internet, sip champagne and eat freshly cooked meals. Whatever class you travel, the amazing scenery comes for free.</p>

<p>Perhaps it's no surprise then that I've opted for this form of travel lately, and I hope to undertake another rail bound journey around Europe later this year.</p>

<p>However, I feel it's important to make clear my statement of intent, and also honour the <a href="http://www.1010uk.org/">10:10 pledge</a> I've made to reduce my carbon footprint by 10% in 2010. So I've decided that <strong>this year I will not fly one single mile</strong>. Seeing as I returned from Australia on January 7th, this promise will hold true until that same date next year.</p>

<p>I'm not saying this because I had no plans to fly either. I was really hoping to catch up with friends in San Francisco, and this years <a href="http://aneventapart.com/">An Event Apart</a> series looks especially enticing. Yet these can wait. There is of course the possibility I will be asked to fly by my employer (<a href="http://clearleft.com/">Clearleft</a> has many clients based overseas) yet I hope this is something I can avoid if at all possible.</p>

<h2>a.green:focus</h2>

<p>Hopefully, by improving my own behaviour and backing it up with firm action, I can once again advocate a green agenda. Indeed, after <a href="http://www.slideshare.net/paulrobertlloyd/announcing-agreenfocus">announcing my plans</a> to build a green coalition of web developers and designers last April, this month I formally launched the campaign. It's called <a href="http://agreenfocus.org/">a.green:focus</a>.</p>

<p>In my <a href="http://blog.agreenfocus.org/post/371323289/welcome">inaugural post</a> on the a.green:focus blog, I explained why our industry is best placed to challenge peoples behaviour and help them become more environmentally concious:</p>

<blockquote>
  <p>Ours is an industry occupied by some of the most talented, creative and empathetic
  people on the planet. We craft interfaces that are easy to use, design experiences 
  that push the boundaries of a medium and build websites that are accessible to all. 
  We&#8217;ve developed social networks that allow us to communicate with each
  other in new and exciting ways. We are in the business of creating the future.</p>
</blockquote>

<p>To help launch the campaign, and with the help of my friends at the <a href="http://www.multipack.co.uk">Multipack</a>, I've organised a hack day, where we hope to build a website or application that will encourage people within our industry to think about how they can reduce their carbon footprint, quite relevant given the upcoming SXSW festival in Austin, Texas. You can find more details about this event on the <a href="http://upcoming.yahoo.com/event/5259221/">Upcoming page</a>, but needless to say <strong>it's this Saturday!</strong></p>

<p>Hopefully this is the first in a series of events and initiatives in support of the campaign, and so far the response from friends and peers has been incredibly encouraging. In the mean time, may I suggest you <a href="http://blog.agreenfocus.org/rss">add the a.green:focus blog</a> to your preferred RSS reader.</p>
]]>
			</content>
		</entry>
	
		<entry>
			<title>A New Visual Design Language for BBC Online</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F02%2Fbbc_online_gvl&amp;seed_title=A+New+Visual+Design+Language+for+BBC+Online"/>
			<id>tag:paulrobertlloyd.com,2010://1.243</id>

			<published>2010-02-16T23:34:04Z</published>
			<updated>2010-06-19T20:10:42Z</updated>

			<summary>I&apos;m a huge supporter of the BBC, yet for many years I was unimpressed with much of it&apos;s online output, where inconsistent design and poor implementation reflected badly upon one of our country&apos;s greatest institutions.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Design" scheme="http://www.sixapart.com/ns/types#category"/><category term="Web Design" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="bbc" label="BBC" scheme="http://www.sixapart.com/ns/types#tag"/><category term="designprinciples" label="Design Principles" scheme="http://www.sixapart.com/ns/types#tag"/><category term="nevillebrody" label="Neville Brody" scheme="http://www.sixapart.com/ns/types#tag"/><category term="userexperience" label="User Experience" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				I&apos;m a huge supporter of the BBC, yet for many years I was unimpressed with much of it&apos;s online output, where inconsistent design and poor implementation reflected badly upon one of our country&apos;s greatest institutions.
				<![CDATA[<p>In the last few years however, there has been a shift in the opposite direction. The <a href="http://www.bbc.co.uk/iplayer">iPlayer</a>--the corporation's time-shifted internet television and radio platform--is an industry leader. Fans of the <a href="http://semanticweb.org/">Semantic Web</a> can marvel at the <a href="http://www.bbc.co.uk/programmes">programmes</a> and <a href="http://www.bbc.co.uk/music">music</a> databases that support many aspects of the site, complete with <a href="http://paulrobertlloyd.com/2009/12/urls_matter">smart URL structures</a> that ensure data remains permanent and findable. A redesigned and customisable <a href="http://www.bbc.co.uk/">home page</a> surfaces a wealth of information to around 13 million people each day.</p>

<p>The speed at which these changes have been rolled out, has in part been aided by the creation of strict visual design guidelines, referred to as the <a href="http://www.bbc.co.uk/guidelines/futuremedia/desed/visual_language.shtml">Global Visual Language</a> or <abbr>GVL</abbr>.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">A selection of mastheads used on 'Barlesque' sites that adhere to the Global Visual Language v2</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/02/bbcgvl2mastheads.png" alt="A selection of mastheads used on 'Burlesque' sites that adhere to the Global Visual Language v2"/>
</div>

<p>These guidelines introduced a single fixed page width, added a common masthead and footer, documented how individual site banners should work and established a simple underlying grid system. All new pages created on the site adhere to these standards meaning users now enjoy a coherent and joined up experience across BBC Online.</p>

<p>The introduction of the <abbr>GVL</abbr> was a huge step forward, yet I've been critical of a few aspects of it in the past. The insistence on using Verdana for example, especially for page headings, has lead to a few vexed comments from me on the <a href="ttp://www.bbc.co.uk/blogs/bbcinternet/">BBC Internet Blog</a>:</p>

<blockquote>
  <p>In all honesty, it's bearable (just about) on the home page, but for BBC News Online,
  it makes the site look incredibly amateurish.</p>
</blockquote>

<p><cite>Comment in response to <a href="http://www.bbc.co.uk/blogs/bbcinternet/2008/04/home_page_two_months_on.html">Home Page Two Months On</a></cite></p>

<blockquote>
  <p>Whilst I can understand the arguments for better readability, I'd much prefer to see 
  Arial set at 13px rather than the wider (and uglier) Verdana. Its use on other sites 
  such as BBC News Online, particularly for headlines in my opinion makes those sites 
  look rather dated and amateurish. Luckily the Music site excellently demonstrates
  that Arial can give sites a more contemporary look, and its use should be 
  encouraged elsewhere on the site.</p>
</blockquote>

<p><cite>Comment in response to <a href="http://www.bbc.co.uk/blogs/bbcinternet/2009/03/bbc_music_website_relaunch.html">BBC Music Website Relaunch</a></cite></p>

<p>I guess you could say I'm not a fan of Verdana! Furthermore, the new global masthead hid much of the sites navigation behind an 'Explore' button, and also lead to occasions where logos in the banner would clash with the main logo in the masthead:</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">The large logo in the masthead often clashed with logos within section banners. Originally the BBC News site showed the correct logo, but had to be altered to avoid it reading as BBC BBC NEWS.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/02/bbcgvl2mastheadnews.png" alt="Masthead logo clashing with a logo in the news banner"/>
</div>

<p>I was so concerned by these oversights that I thought about ways to rectify these issues. The visual design language had just been applied to the <a href="http://news.bbc.co.uk">BBC News</a> website at the time, so I set upon redesigning the home and news item pages. The curious are welcome to view the full resolution comps I came up with:</p>

<ul>
<li><a href="http://s3.paulrobertlloyd.com/downloads/BBC News 2008 Redesign - Home.png">Home page</a></li>
<li><a href="http://s3.paulrobertlloyd.com/downloads/BBC News 2008 Redesign - News Item.png">News item</a></li>
</ul>

<p>Of course it's easy to create something like this in isolation, without a full understanding of the design or technical constraints that exist, but I think this demonstrates my frustration with the implementation at the time and--perhaps more importantly--how much I care about the design of the BBC website.</p>
]]>
				<![CDATA[<h2>BBC Heaven</h2>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/02/bbcgvl3love.png" alt="BBC + Research Studio = Love for GVL3" title="" /></p>

<p>Given this background, you can imagine my delight on reading that <a href="http://www.bbc.co.uk/blogs/bbcinternet/2010/02/a_new_global_visual_language_f.html">the corporation is working on a brand new design language</a> with the help of <a href="http://en.wikipedia.org/wiki/Neville_Brody">Neville Brody</a> and his agency <a href="http://www.researchstudios.com/">Research Studios</a>. Not only does it answer my previous criticisms, but the early previews exceed my wildest expectations:</p>

<blockquote>
  <p>We wanted to find the soul of the BBC. We wanted something distinctive and 
  recognisable; we wanted drama. We knew whatever we created needed to be truly 
  cross-platform and that we needed to simplify our user journeys."</p>
</blockquote>

<p><cite>Bronwyn van der Merwe, <a href="http://www.bbc.co.uk/blogs/bbcinternet/2010/02/a_new_global_visual_language_f.html">A new global visual language for the BBC's digital services</a></cite></p>

<p>Whilst this could be viewed as yet another redesign, it strikes me that this project is aimed towards creating a more lasting vision, and this is reflected by the creation of nine key design principles:</p>

<ol>
<li><p><strong>Modern British:</strong> Creates a modern British design aesthetic, something vibrant and quirky that translates outside our national boundaries.</p></li>
<li><p><strong>Current:</strong> Feels current and reflects what's happening in the UK right now, in real-time. Curates a timeline of Britain and links to the past, to the BBC's rich archive.</p></li>
<li><p><strong>Authentic:</strong> Sounds authentic and relevant, warm and human. References the BBC's iconic design and broadcasting heritage. Values the trust placed in the organisation.</p></li>
<li><p><strong>Compelling:</strong> Engages audiences with compelling storytelling. Voices range from serious and authoritative through to witty and entertaining.</p></li>
<li><p><strong>Distinctive:</strong> Stands out from the crowd. Strikes a balance between overly templated, cookie-cutter design and beautiful anarchy. Bold and dramatic.</p></li>
<li><p><strong>Pioneering:</strong> Pioneering design innovations that surprise and delight, yet take the audiences with them.</p></li>
<li><p><strong>Joined-up:</strong> Views all services and platforms as one connected whole but delivers experiences that are sensitive to their context of use. </p></li>
<li><p><strong>Universal:</strong> Services are open and accessible. Interfaces are simple, useful and intuitive.</p></li>
<li><p><strong>Best:</strong> Ambition is to be the best digital media brand in the world.</p></li>
</ol>

<p>These principles have resulted in the following output:</p>

<h3>Grid</h3>

<p>A new grid allows for much flexibility. Thirty-one 16px columns can be combined to create two or four columns on the left-hand side of the page, whilst a wider right-hand column ensures that advertising units (which are shown to international visitors) are accommodated. The choice of grid has lead to the introduction of interwoven vertical and horizontal bands, with the right-hand column becoming a signature feature across the site.</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/02/bbcgvl3grid.png" alt="Example grid usage in the new Global Visual Language" title="" /></p>

<p><a href="http://twitter.com/jvbates">James</a> has been saying recently that designers need to think more carefully about their grid layouts, considering what content needs to be catered for rather than just relying on <a href="http://960.gs">more ridged</a> and symmetrical layouts. This looks like a textbook example.</p>

<h3>Typography</h3>

<p>I was excited to read that the new GVL introduces a much more dramatic use of typography:</p>

<blockquote>
  <p>As well as Gill Sans we've introduced big bold type in Helvetica or Arial and restricted 
  variations in size so that we have much greater consistency across the site.</p>
</blockquote>

<p>No mention of Verdana. Fingers crossed that it doesn't make a re-appearance!</p>

<h3>Colour</h3>

<p>The guidelines also establish a new colour palette and usage guidelines, and suggest that pages will be predominantly neutral, with colour used only to create vibrancy and highlight key areas of the page. Large and dramatic imagery will take centre stage instead.</p>

<h3>Navigation</h3>

<p>The examples demonstrate a consistent cross-site navigation element across the top of each page (that is, no longer hidden behind a button), whilst section navigation is said to typically run horizontally rather than vertically. The mock-up for the BBC Sport site also shows a bread crumb trail as part of the Cricket section's sub-navigation too.</p>

<h3>Photography, Iconography and More!</h3>

<p>The embedded media players also get an update, as do carousels and other page components. To top it all off, the guidelines elicit the use of a single set of bespoke icons:</p>

<p><img src="http://paulrobertlloyd.com/_gfx/2010/02/bbcgvl3icons.gif" alt="Icons used in the new Global Visual Language" title="" /></p>

<h2>Final Thoughts</h2>

<p>Much like my attempts to redesign the news website two years ago, there is a sizeable gap between theory and practice, and the true test will come as these guidelines are implemented across the site, and adopted by different parts of the organisation. </p>

<p>This new stripped back and simplified approach speaks to my own design philosophy, so I really hope it succeeds. Indeed, this announcement comes in the same week as the launch of <a href="http://www.engadget.com/2010/02/15/windows-phone-7-series-hands-on-and-impressions">Windows Phone 7</a> which has a similar laid bare aesthetic. </p>

<p>I do wonder if this work for the BBC, and that for Windows Phone are the first signs of a move away from the 'Web 2.0' look by larger organisations. I will happily accept the painful irony, that having waited so many years for rounded corners and background gradients to be implemented in browsers, the trend that demands them will no longer be with us.</p>

<p>If it wasn't obvious, I'm absolutely bowled over by what the BBC User Experience &amp; Design team and Research Studios have presented so far. I hope this early preview is the first of many insights to come. Given the BBC's agile development process, we shouldn't have to wait to long to see it in the wild either.</p>
]]>
			</content>
		</entry>
	
		<entry>
			<title>Logo Spotting</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F02%2Flogo_spotting&amp;seed_title=Logo+Spotting"/>
			<id>tag:paulrobertlloyd.com,2010://1.242</id>

			<published>2010-02-12T00:10:20Z</published>
			<updated>2010-06-19T20:11:37Z</updated>

			<summary>My love of detail is often reaffirmed by my noticing the almost inconsiderable tweaks in the designed environment around me.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Design" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="brandidentity" label="Brand Identity" scheme="http://www.sixapart.com/ns/types#tag"/><category term="melbourne" label="Melbourne" scheme="http://www.sixapart.com/ns/types#tag"/><category term="mtv" label="MTV" scheme="http://www.sixapart.com/ns/types#tag"/><category term="networkrail" label="Network Rail" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				My love of detail is often reaffirmed by my noticing the almost inconsiderable tweaks in the designed environment around me.
				<![CDATA[<p>On flicking through the newspaper on the train home yesterday, I spotted an advertisement for Network Rail, the semi-nationalised body responsible for much of Britain's rail infrastructure.</p>

<p>I had been vaguely aware of their recent marketing campaigns where the logo slots into the top right corner of a distinctive trapezium containing shape. However on seeing this particular advertisement close up, I did a quick double take, spotting what seemed to be an updated logo. A quick search on Google images confirmed my suspicion.</p>

<p><img src="/_gfx/2010/02/networkrail.png" alt="Network Rail logos" title="" /></p>

<p>To me the previous logo always had a temporary feel to it. <a href="http://en.wikipedia.org/wiki/Network_Rail">Network Rail</a> was created out of the ashes of <a href="http://en.wikipedia.org/wiki/Railtrack">Railtrack</a>, a privatised company that owned the nations railways prior to it being placed into 'railway administration' by the government in 2002. At the time I remember thinking the logo for this new body must have been quickly thrown together by a low ranking designer at the Department of Transport, such was its low fidelity.</p>

<p>Seven years later, and with a massive investment programme underway, it would seem that Network Rail has finally decided to give its logo a subtle update.</p>

<p>Many of the changes are small, but they all add up to create a tighter, more manageable mark. Tighter kerning and the removal of the space between the two words has allowed the overall logo to be reduced in width by around 10%. The typeface has also been altered sightly, removing the serifs that were barely noticeable before.</p>

<p>The distinctive red triangle also moves closer to the text, and the two cut outs that suggest a track disappearing into the distance now converge on a single point rather than the unknown destination seen previously. The colour palette has also been updated, with the primary colours replaced with more considered choices. However, the use of gradients in the final rendering only serves to weaken an otherwise stronger, more confident mark.</p>
]]>
				<![CDATA[<h2>MTV</h2>

<p><img src="/_gfx/2010/02/mtv.gif" alt="MTV logos" title="" /></p>

<p>Whilst the identity for Network Rail may have gone unnoticed, you are unlikely to have missed the MTV 'refresh' <a href="http://www.creativereview.co.uk/cr-blog/2010/february/mtv-refreshes-logo">announced earlier this week</a>. Much like Network Rail, this is more of a realignment than an all out redesign, although the changes are possibly more noticeable. I initially thought the legs had somehow been mis-cropped, yet after my initial shock I think the new proportions work surprisingly well, possibly reflecting the evolution of television with this new, almost widescreen ratio.</p>

<p><img src="/_gfx/2010/02/mtvvariations.jpg" alt="MTV logo variations" title="" /></p>

<p>Like nearly every logo launched these days (<a href="http://www.underconsideration.com/speakup/archives/003489.html">London 2012</a>, <a href="http://www.underconsideration.com/brandnew/archives/i_wolff_olins.php">NYC &amp; Company</a>, <a href="http://www.underconsideration.com/brandnew/archives/aol_generation_next.php">AOL</a> <abbr title="et alii">et al.</abbr>) it goes without saying that this logo has been designed to act as a containing element, in which photos of the channels second-rate reality stars can be placed.</p>

<p>It's an old idea (<a href="http://www.identityworks.com/forum/logo-design/aol-and-dynamic-branding-when-is-it-a-good-idea/">this in-depth article</a> by Roger van den Bergh gives you an idea of just how long this concept has been around), but it is worth remembering that MTV launched with a similar identity 29 years ago. In fact, the logo has long been <a href="http://hatsblog.mtv.com/">a canvas for viewers to make their own mark</a> on the channel, although that concept seems sadly missing in this latest interpretation.</p>

<h2>City of Melbourne</h2>

<p><img src="/_gfx/2010/02/cityofmelbourne.png" alt="City of Melbourne logos" title="" /></p>

<p>Finally, if we are to talk about 'M' shaped containing identities, then I can't leave without mentioning my favourite identity project of last year for the <a href="http://www.underconsideration.com/brandnew/archives/pieces_of_melbourne.php">City of Melbourne</a>, which frankly blows MTV's mediocre efforts clean out of the water:</p>

<p><img src="/_gfx/2010/02/cityofmelbournevariations.png" alt="City of Melbourne logo variations" title="" /></p>

<p>Aren't these just fantastic?</p>
]]>
			</content>
		</entry>
	
		<entry>
			<title>2009 in Review</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F01%2F2009_in_review&amp;seed_title=2009+in+Review"/>
			<id>tag:paulrobertlloyd.com,2010://1.241</id>

			<published>2010-01-31T21:26:20Z</published>
			<updated>2010-06-19T20:14:14Z</updated>

			<summary>Holiday and illness means this is the latest I&apos;ve got round to writing a yearly review. Whilst today is possibly the latest I can get away with such a post, I still think it&apos;s important to reflect on the achievements of the previous twelve months. </summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Personal" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="apture" label="Apture" scheme="http://www.sixapart.com/ns/types#tag"/><category term="ashestoashes" label="Ashes to Ashes" scheme="http://www.sixapart.com/ns/types#tag"/><category term="clearleft" label="Clearleft" scheme="http://www.sixapart.com/ns/types#tag"/><category term="coedybrenin" label="Coed-y-Brenin" scheme="http://www.sixapart.com/ns/types#tag"/><category term="forumlaone" label="Forumla One" scheme="http://www.sixapart.com/ns/types#tag"/><category term="jensonbutton" label="Jenson Button" scheme="http://www.sixapart.com/ns/types#tag"/><category term="reviewoftheyear" label="Review of the Year" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				Holiday and illness means this is the latest I&apos;ve got round to writing a yearly review. Whilst today is possibly the latest I can get away with such a post, I still think it&apos;s important to reflect on the achievements of the previous twelve months. 
				<![CDATA[<p>2009 began with my decision to rise early on that first morning and take a walk around <a href="http://paulrobertlloyd.com/2009/01/day_one">a frost glazed Cannock Chase</a>. This was really enjoyable, and something I hoped to do every year, yet somehow I ended this one <a href="http://paulrobertlloyd.com/2010/01/sydney">watching fireworks launch over Sydney Harbour bridge</a>--two experiences that couldn't have been more different.</p>

<h2>Becoming A 'Leftie'</h2>

<p>I was still freelancing at the beginning of the year, with much of my time devoted to <a href="http://apture.com/">Apture</a>, a start-up based in San Mateo, California.</p>

<p>I had been working closely with <a href="http://tristanharris.com/">Tristan</a>, the company's <abbr title="Chief Executive Officer">CEO</abbr> since November 2007, and the focus was now on building an innovative media browser (or 'Media Hub') for site editors, as well as tools to embed Twitter streams and <abbr title="United States">US</abbr> Congress data into web pages. These were all interesting products to be working on, and I could have continued to work with Apture (or any number of other <abbr>US</abbr>-based companies given my contacts there) for some time, but I really wanted to look for opportunities closer to home.</p>

<p>Since freelancing for <a href="http://clearleft.com/">Clearleft</a>, I had discovered that working socialable hours surrounded by my peers (and often working with high-profile clients) was something I craved, and started to think seriously about freelancing for different agencies in and around Brighton.</p>

<p>Working with Clearleft again in May, <a href="http://clearleft.com/is/andybudd">Andy</a> asked me if I would like to join the company full-time. The answer was only ever going to be <a href="http://paulrobertlloyd.com/2009/06/clearleft">yes</a>.</p>

<p><img class="right" src="http://paulrobertlloyd.com/_gfx/2010/01/clearleft.png" alt="Clearleft Logo"/>Joining the team in Brighton has been nothing short of inspirational. Being surrounded by such talented colleagues has forced me to up my game, challenging assumptions about how I work, and making me consider new ways to solve design problems. I'd like to think it has pushed me to write better content for this blog, whilst ensureing the release of <a href="http://paulrobertlloyd.com/2009/06/social_media_icons">my social icon set</a>. I doubt I would have made these public had it not been for the supportive environment I now find myself.</p>
]]>
				<![CDATA[<h2>A Great Year For Travel</h2>

<p>Last year turned out to be another great year for travel, and thankfully one a little less <abbr>US</abbr>-centric. However, rather unexpectedly, my first trip overseas was to San Francisco in January. As the 'Media Hub' project was ramping up at Apture, Tristan asked if I could come out to their offices to spend a week face-to-face with the team. With much of the cost to be covered by them, and with the real possibility of making some progress on that particular project, I boarded another San Francisco bound flight.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption"><a href="http://paulrobertlloyd.com/2009/02/thats_not_my_name">That's Not My Name</a>, one of the many reasons I grew tired of travel within the United States.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2009/02/coll.jpg" alt="That's not my name!"/>
</div>

<p>Of course this was also an excellent opportunity to catch-up with friends in the area, and most evenings were spent in the company of former colleagues. Yet being back in San Francisco reinforced my belief that I should be travelling more to <em>other</em> countries. Seeing an advert for <a href="http://railselect.com/">railselect.com</a>, I contacted them asking them to create a customised itinerary, one that would allow me to see as much of Europe as I could by train in three-weeks.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Sir John Betjeman looks towards the Eurostar at St. Pancras Station.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/01/stpancras.jpg" alt="Sir John Betjeman looks towards the Eurostar at St. Pancras Station"/>
</div>

<p>This brief tour around Germany, Austria, Switzerland, Spain and France was possibly the highlight of the entire year. From boarding the Eurostar at the fabulous new St. Pancras International station in London, to travelling on a cog railway with a 45-degree incline up to the summit of Mount Pilatus in Lucerne. Or relaxing on the beach in Valencia, climbing up 509 steps to the top of a 98-meter tall spire at Cologne Cathedral or exploring former Olympic venues in Munich, Barcelona and Innsbruck. <a href="http://paulrobertlloyd.com/2009/05/a_european_adventure">I would happily do the whole trip again</a>.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">(Lee) Nash and Jon on the Precipice Walk.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/01/nashandjon.jpg" alt="(Lee) Nash and Jon on the Precipice Walk"/>
</div>

<p>The annual weekend trip to Coed-y-Brenin in north Wales is always something to look forward to, and 2009 was no different. Each year seems to become a more relaxed affair, with different people choosing to break off into different groups to do their own thing, before reconvening around the camp fire in the evening. In that regard, Jon, Nash and myself decided to venture along the popular Precipice Walk, which provided stunning views across the Mawddach Estuary and the mountain ranges of Snowdonia.</p>

<p>Finally, as my <a href="http://paulrobertlloyd.com/2010/01/">previous posts have recalled</a>, I spent the end of the year in New Zealand and Australia, which is something I've been meaning to do for several years, and so glad to finally accomplish that goal.</p>

<h2>At Home</h2>

<p>Closer to home, other highlights included a number of barbecues on Clymping Beach, a new set of Multipack events dubbed '<a href="http://www.multipack.co.uk/presents/">Multipack Presents&#133;</a>' and a renewed interest in Formula One.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">The 2009 Formula One World Championship, and in particular debut entrant Brawn GP, gained my full attention throughout the year.</p>
    </div>
    <img src="http://paulrobertlloyd.com/_gfx/2010/01/brawngp.jpg" alt="Jenson Button driving the BGP 001 Formula One car"/>
</div>

<p>With a return to the BBC after 12 years that coincided with the excitement surrounding the new <a href="http://news.bbc.co.uk/sport1/hi/motorsport/formula_one/drivers_and_teams/7879039.stm">Brawn GP</a> team, it was hard not to get immersed in the sport. With Jenson Button at the wheel of one of the Brawn cars, and with it a real (yet surprising) prospect for a second consecutive British world championship winner, I was hocked all season.</p>

<p>Perhaps the only other television event to grab my interest was the second series of <a href="http://www.bbc.co.uk/ashestoashes/">Ashes to Ashes</a>, yet I remember this as being a disappointing, ropey and inconsistent affair with a rather peculiar finale--although I'm still keen to see the shows conclusion later this year.</p>

<h2>Green Report Card</h2>

<p>In the spirit of the times we now live, and hopefully with an eye to more thoughts on this blog about green issues, for the first time in such a retrospective I'd like to recap on the changes I've made to lessen my impact on the environment.</p>

<p>The biggest of these was probably ending my reliance on the car. Since returning from the States I had been borrowing my mothers car, but on moving to the South Coast, this was no longer an option. The choice was either to buy a car of my own, or start to use public transport exclusively. Thankfully, the rail connections here are particularly good, and I've found travelling back home on the train to be less stressful than it can be by car--at least when the trains are running on time!</p>

<p>I've also tried to focus on the little things, be it turning electrical items off at the plug, using a bag for life (or feeling incredible guilt when I've forgotten it) or reusing plastic containers when getting a meal from the local chinese takeaway.</p>

<p>In this respect, the decision to travel around Europe by train was a conscious one, yet for a trip that involving so many different cities, flying would have been more inconvenient anyway. One of the great benefits of rail travel is that you arrive right in the centre of a city minus any of the fuss involved when flying.</p>

<p>However, I still took several long hall flights (London&#8594;San Francisco return in January, and London&#8594;Los Angeles&#8594;Auckland, Wellington&#8594;Sydney&#8594;Melbourne&#8594;London in December). Whilst I did carbon offset these flights (and indeed finally got around to offsetting all my previous flights too) that's still not the same as not taking them in the first place. With that in mind, I will write about how I plan to change this habit in a forthcoming blog post.</p>
]]>
			</content>
		</entry>
	
		<entry>
			<title>Magical Melbourne</title>
			<link rel="alternate" type="text/html" href="http://paulrobertlloyd.com/feeder/?FeederAction=clicked&amp;feed=Recent+Entries&amp;seed=http%3A%2F%2Fpaulrobertlloyd.com%2F2010%2F01%2Fmelbourne&amp;seed_title=Magical+Melbourne"/>
			<id>tag:paulrobertlloyd.com,2010://1.240</id>

			<published>2010-01-29T23:42:47Z</published>
			<updated>2010-06-19T20:15:35Z</updated>

			<summary>After two and a half weeks exploring various cities, it was finally on to Melbourne, and the final stop on my short tour of Australasia.</summary>
			<author>
				<name>Paul Robert Lloyd</name>
				<uri>http://paulrobertlloyd.com/</uri>
			</author>
			<category term="Travel" scheme="http://www.sixapart.com/ns/types#category"/>
			<category term="australasia" label="Australasia" scheme="http://www.sixapart.com/ns/types#tag"/><category term="australia" label="Australia" scheme="http://www.sixapart.com/ns/types#tag"/><category term="melbourne" label="Melbourne" scheme="http://www.sixapart.com/ns/types#tag"/><category term="olympics" label="Olympics" scheme="http://www.sixapart.com/ns/types#tag"/>
			<content type="html" xml:lang="en" xml:base="http://paulrobertlloyd.com/">
				After two and a half weeks exploring various cities, it was finally on to Melbourne, and the final stop on my short tour of Australasia.
				<![CDATA[<p>Melbourne's status as Australia's cultural and sporting capital is reflected by two imposing sights in the city--the <a href="http://en.wikipedia.org/wiki/Melbourne_Cricket_Ground">Melbourne Cricket Ground</a> (<abbr>MCG</abbr>) and the <a href="http://en.wikipedia.org/wiki/Shrine_of_Remembrance">Shrine of Remembrance</a>--both backed up by an amazing array of national, state and metropolitan galleries, performance venues and sports stadia. The extensive tram system is just as impressive, and gives you an insight as to how other cities may have looked had they not been so eager to turn their streets over to the motor vehicle.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">Royal Exhibition Building, Melbourne.</p>
    </div>
    <img src="/_gfx/2010/01/royalexhibitionbuilding.jpg" alt="Royal Exhibition Building, Melbourne"/>
</div>

<p>Melbourne is host to a number of different architectural styles, many of them quite daring, especially recent additions like <a href="http://en.wikipedia.org/wiki/Federation_Square">Federation Square</a> and <a href="http://en.wikipedia.org/wiki/Eureka_tower">Eureka Tower</a>. However, unlike Wellington, there is a general cohesiveness. In fact this even extends to the city council's <a href="http://www.underconsideration.com/brandnew/archives/pieces_of_melbourne.php">new identity</a>. Having witnessed the city first hand, I can't see it as anything other than a perfect graphic manifestation of Melbourne's built environment.</p>

<p>Before I really started to explore the city, I met up with my friend and former colleague <a href="http://philmccluskey.com/">Phil McCluskey</a>. Nervous that I may miss him as well as Kyle, I was glad to spend an afternoon with him, getting a guided tour of the Fitzroy and Carlton suburbs whilst we hunted for dinner. Not only was it great to see Phil, but it was nice to be able to talk to somebody familiar after three weeks of talking to complete strangers!</p>

<h2>The Spiritual Home of Australian Sport</h2>

<p>Given Australia's passion for sport, it's perhaps no surprise that the <abbr>MCG</abbr>--whilst outside the <abbr>CBD</abbr>--still forms an integral part of the city. Its six large light towers dominate the landscape around Melbourne's 'Sports and Entertainment Precinct', a huge section of parkland littered with sporting venues of every size and description.</p>

<p>As a city that hosted the <a href="http://en.wikipedia.org/wiki/1956_Summer_Olympics">Olympic Games of 1956</a>, I was keen to see how many of the buildings from this time remained. Unfortunately much has changed, although the Olympic Park is still home to the <a href="http://en.wikipedia.org/wiki/Lexus_Centre">Olympic Pool</a>--the first fully indoor Olympic swimming venue. This is now an indoor training centre and office complex, and sadly the only major structure from the games to look much as it did in 1956. Many of the other buildings have since been replaced by motorways and car parks.</p>

<p>The same is true of the <abbr>MCG</abbr>. Whilst one part of the huge oval is still named in honour of the Olympics, the oldest part of the complex is actually the light towers that were erected in 1985. The rest of the was stadium completely rebuilt in sections between 1992 and 2005. Part of this refurbishment included the creation of the <a href="http://www.nsm.org.au/">National Sports Museum</a>, which includes a special section devoted entirely to the Olympics.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">The cauldron from the 1956 Olympic Games.</p>
    </div>
    <img src="/_gfx/2010/01/olympiccauldron.jpg" alt="The cauldron from the 1956 Olympic Games"/>
</div>

<p>As you can imagine, this got my full attention. I was immersed in all its collected memorabilia--everything from a laurel wreath presented to a winning athlete at the inaugural 1896 games, to a ticket stub from the most recent games in Beijing. One of the most interesting displays was the (almost) complete collection of Olympic relay torches from 1936 to 2008. </p>

<p>The centrepiece of this display was the original Olympic cauldron from the Melbourne games--although its flimsy, thin metal construction had me believe it was a replica until I read the supporting text.</p>

<p>Keeping with this theme of sporting geekery, I was also keen to check out <a href="http://en.wikipedia.org/wiki/Albert_Park_and_Lake">Albert Park</a>, host to the Australian Grand Prix every March. Although it was obvious to make out from maps situated around the park, it took me some time to realise that main road that circles the lake was indeed the race track.</p>

<div class="figure">
    <div class="sidenote">
        <p class="caption">The pit lane on the Albert Park grand prix circuit.</p>
    </div>
    <img src="/_gfx/2010/01/albertpark.jpg" alt="The pit lane on the Albert Park grand prix circuit"/>
</div>

<p>So much of the supporting track furniture is removed from the site when the circuit is not in use. Even the pit lane complex could be mistaken for offices, were it not for the road layout and the row of garage doors along its frontage. Of course I couldn't pass by without standing on the very same podium that Jenson Button had stood <a href="http://news.bbc.co.uk/sport1/hi/motorsport/formula_one/7970488.stm">only 10 months beforehand</a>--although when I looked out across the start/finish straight all I could see was a makeshift car park.</p>

<h2>Travel Tips: Learning from my Mistakes</h2>

<p>Much like I did after <a href="http://paulrobertlloyd.com/2009/06/europa">my travels across Europe</a> last year, I'd like to finish my report with a few lessons I learnt from this trip:</p>

<ol>
<li><p><strong>Pack Light:</strong> This time I left my laptop at home, and took a small point and shoot camera (the Canon S90) rather than an <abbr>SLR</abbr> and assorted lens. Leaving the laptop behind was entirely the right thing to do, so I doubt it'll be joining me on any future trips. Taking a point and shoot was also a great call. The best camera is the one you have with you, and being so small meant I had no hesitation taking it with me everywhere I went. Still, I'd like to take my <abbr>SLR</abbr> on future trips, especially as it forces you to study buildings and landmarks a little closer as you try to hunt down the perfect composition.</p>

<p>I also decided to take a rucksack rather than a suitcase this time around, and this worked out really well too. I think it really depends on the itinerary and the type of trip as to which type of luggage is best suited, but it was certainly the right choice for this particular adventure.</p>

<p>I still could have <a href="http://37signals.com/svn/posts/1268-pack-half-of-what-you-think-you-need">packed less</a>.</p></li>
<li><p><strong>Sleep Cheap:</strong> I was slightly anxious about staying in hostels, and whilst it was sometimes annoying to share a room with complete strangers, it did result in me getting up early (when sleeping in a single room the temptation to sleep until 11am was often too great). I can't think how much money I saved either--an absolute bargain seeing as most where of equal quality to many hotels.</p></li>
<li><p><strong>Roam Prepaid:</strong> Given the silly amount I spent whilst roaming across Europe, I really didn't want to the same in Australasia, where data is doubly expensive. I purchased a 'Data Abroad' bolt-on for £50, and this drastically reduced my mobile phone bill. I would have used less than the 50<abbr>MB</abbr> pre-paid allowance had I not downloaded an entire Wikipedia article on the history of the <a href="http://en.wikipedia.org/wiki/Flag_of_Australia">Australian National Flag</a>!</p></li>
</ol>

<p>Overall, whilst this trip was really inspiring, and a great start to this new decade, I feel as though I didn't make the most of the opportunity. Given that I went all the way to New Zealand, not have seen some of the most popular sites (especially those on the South Island) only serves to annoy me. The same is true for the experience I had watching the fireworks display in Sydney. Had I planned properly, I may have gone to a ticketed event that could guarantee comfort and a view. The lesson to be learnt here is to focus on the preparation next time around.</p>
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			</content>
		</entry>
	
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